tinuageyvpic/edition.rechampir
1
0
Fork 0
Code Issues Pull Requests Packages Projects Releases Wiki Activity

initial

Browse Source 
git commit -a -m initial
This commit is contained in:
yv_pic
2020-12-30 12:41:09 +01:00
commit a5c7667d0a
121 changed files with 11031 additions and 0 deletions
Download Patch File Download Diff File Expand all files Collapse all files

6
archetypes/default.md Normal file
View File

@@ -0,0 +1,6 @@
---
title: "{{ replace .Name "-" " " | title }}"
date: {{ .Date }}
draft: true
---

619
assets/css/userstyles.css Normal file
View File

@@ -0,0 +1,619 @@
@charset "UTF-8";
body {
margin: 0;
overflow-y: scroll;
font-size: 1.21em;
line-height: 1.21;
font-family: FreeSerif, serif; }
@media (min-width: 64em) {
body {
font-size: 1.32em;
line-height: 1.32; } }
@media (min-width: 85.375em) {
body {
font-size: 1.43em; } }
@media (min-width: 120em) {
body {
font-size: 1.54em; } }
@media (min-width: 160em) {
body {
font-size: 1.76em; } }
/*largest screens. yp augmenté les % de 2 pts*/
main {
display: block;
margin: 0;
padding: 1em 1em;
background-color: FEFEFD; }
/*couleur yp*/
@media (min-width: 48em) {
main {
margin: 0 17%; } }
@media (min-width: 64em) {
main {
margin: 0 20%; } }
@media (min-width: 85.375em) {
main {
margin: 0 23%; } }
@media (min-width: 120em) {
main {
margin: 0 26%; } }
@media (min-width: 160em) {
main {
margin: 0 29%; } }
a {
font-family: FreeSerif, serif;
color: #07608f;
text-decoration: none; }
h1, h2, h3, h4, h5, h6 {
font-family: Ubuntu, sans-serif;
font-weight: bold;
font-style: normal;
color: #008080; }
p, li {
color: #444;
font-family: FreeSerif, serif;
text-align: justify; }
strong {
font-style: normal;
font-family: FreeSerif, serif;
font-weight: bold; }
em {
font-style: normal;
font-family: FreeSerif, serif;
font-style: italic; }
kbd, code {
font-family: Mononoki, monospace;
color: #444;
background-color: #f3f3f3;
font-size: 0.9em; }
pre {
background-color: #f6f8fa;
padding: 0.5em; }
pre code {
background-color: transparent; }
th {
font-family: FreeSerif, serif;
font-weight: bold;
color: #444; }
td {
font-family: FreeSerif, serif;
color: #444; }
.footnotes ol li {
font-family: FreeSerif, serif;
font-size: 0.8em; }
figure.image-shortcode {
margin: 1em auto; }
figure.image-shortcode img {
width: 100%; }
@media (max-width: 28em) {
figure.image-shortcode {
width: 100% !important; } }
figure.wide {
display: flex;
flex-direction: column;
align-items: center; }
figure.wide img {
width: 90vw;
padding-bottom: 0.5em; }
figure.right, .right {
float: right;
margin: 0 0 0.5em 1em; }
@media (max-width: 28em) {
figure.right, .right {
margin-bottom: 1.0em; } }
figure.right:first-child, .right:first-child {
margin-top: 1em; }
figure.left, .left {
float: left;
margin: 0 1em 0.5em 0; }
@media (max-width: 28em) {
figure.left, .left {
margin-bottom: 1.0em; } }
figure.left:first-child, .left:first-child {
margin-top: 1em;
color: blue; }
figure.frame {
background-color: #f7f7f7;
border: 1px solid #bbb;
border-radius: 0.2em;
padding: 0.5em;
box-sizing: border-box; }
figure.frame img {
border: 1px solid #bbb; }
figure.frame figcaption {
border: none; }
figcaption {
font-size: 0.8em;
padding: 0;
width: 100%;
margin: 0 0 0.5em 0;
border-bottom: 1px solid #666674; }
figcaption p {
margin-top: 0em;
color: #666674;
text-align: left; }
figcaption h4 {
margin: 0.3em 0;
color: #444;
text-align: left; }
.page-title {
text-align: center;
font-size: 1.9em;
color: #008080 }
.page-title.blog {
text-align: left;
margin-bottom: 0.5em; }
nav {
display: flex;
justify-content: flex-end;
flex-flow: row wrap;
overflow: hidden;
margin: auto 2% .6em auto;
padding-left: 2em; }
nav ul {
list-style-type: none;
margin: 0; }
nav li {
background-color: inherit;
float: left;
cursor: pointer;
padding: 0;
margin: 0;
border-width: 0 0 .3em 0;
border-color: transparent;
border-style: solid;
display: inline-block; }
nav a {
color: #444;
padding: .25em .63em;
font-family: Infini, sans-serif;
font-size: 1.2em;
display: block; }
nav li:hover {
border-color: #ddd; }
.dropdown .sub-menu {
display: none;
position: absolute;
background-color: #f9f9f9;
color: #444;
cursor: pointer;
border-width: 0 0 .3em 0;
min-width: 6em;
margin-top: .3em;
box-shadow: 0px 8px 16px 0px rgba(0, 0, 0, 0.2);
z-index: 1; }
.dropdown:hover .sub-menu {
display: block; }
.sub-menu a:hover {
background-color: #474a4f;
color: white; }
.sub-menu a {
display: block;
text-align: left;
padding: .2em .63em;
color: #444; }
.dropdown.activetab, .activetab, li.activetab {
background-color: #474a4f;
border-color: white; }
.activetab > a, a.activetab {
color: white; }
.page-header {
border-bottom: 1px solid black;
text-align: center;
display: flex;
flex-flow: row wrap;
margin: 1em 1em 0 1em; }
.myname {
margin: 0 auto 0 0;
padding: 0 0 .25em .25em;
font-size: 2em; }
.myname a {
color: #804000;
text-decoration: none;
font-family: Infini;
font-style: italic;
font-weight: bold; }
.myname h2 {
margin: 0; }
.blog-post-summary {
margin: 0; }
@media (min-width: 28em) {
.blog-post-summary {
margin: 2em; } }
#latest-blog-home {
text-align: center;
font-size: 2em; }
.delimiter {
font-size: 2em;
text-align: center; }
.blog-post-title {
margin-bottom: 0.2em;
padding-bottom: 0;
font-size: 1.6em; }
.blog-post-title a {
color: #804000;
font-family: Ubuntu, sans-serif; }
.blog-post-info {
margin: 0.2em 0;
font-size: 0.8em;
color: #5f5a6f;
margin-left: 1em;
text-align: left; }
.blog-post-info a {
text-transform: capitalize; }
em.taxonomy-emph {
font-family: FreeSans, sans-serif;
font-style: oblique; }
.blog-post-content h1 {
font-size: 1.4em; }
.blog-post-content h2 {
font-size: 1.3em; }
.blog-post-content h3 {
font-size: 1.2em; }
.blog-post-content h4 {
font-size: 1.1em; }
.taxonomy-links ul {
list-style-type: none;
display: flex;
justify-content: center;
margin: 0;
padding: 0;
border-bottom: 2px solid #444; }
.taxonomy-links ul li {
flex-grow: 1;
margin: 1em 0.5em;
width: 100%;
display: flex; }
.taxonomy-links ul li a {
display: inline-block;
background-color: #ddd;
font-size: 1.5em;
text-align: center;
color: #444;
padding: .5em;
flex-grow: 1;
text-transform: capitalize; }
.pagination {
list-style-type: none;
font-family: FreeSans, sans-serif;
display: flex;
justify-content: center;
margin: 1em;
padding: 0; }
.page-item {
color: #444;
display: inline-block;
padding: .2em .6em; }
.page-item a {
color: #444; }
.page-item.active {
background-color: #474a4f; }
.page-item.active a {
background-color: #474a4f;
color: white; }
.resume-content {
display: flex;
flex-flow: row wrap; }
.category-title {
text-align: left;
width: 8em;
padding: .5em;
flex: 1 3 auto; }
.category-title h4 {
margin: 0 0.5em 0 0;
font-size: 1.3em; }
.category-content {
flex: 2 1 65%;
padding: .5em; }
.category-content a {
color: #4c7e99; }
.category-content p {
margin: 0;
font-size: 0.9em;
color: #5f5a6f; }
.category-content ul {
list-style-type: "– "; }
.category-content ul, .category-content ol {
font-family: FreeSans, sans-serif;
margin-top: 0; }
.category-content li {
font-size: 0.9em;
color: #5f5a6f; }
.resume-entry {
margin: 0 0 1em 0; }
.resume-entry .what {
font-family: FreeSans, serif;
text-align: left;
font-size: 1.0em;
color: #444; }
.resume-entry .resume-entry-data {
font-family: FreeSans, serif;
text-align: left;
font-size: 0.8em;
color: #767676;
margin-left: 0.9rem; }
.resume-entry .resume-inner {
line-height: 1;
margin-top: 0.2em;
margin-left: 0.9rem; }
.resume-entry p, .resume-entry ul, .resume-entry ol, .resume-entry li {
font-family: FreeSerif, serif;
color: #5f5a6f;
text-align: left;
font-size: 0.9em; }
p.resume-subcategory {
font-family: FreeSans, sans-serif;
font-size: 1.4em;
text-decoration: underline;
padding: 0 0 .3em 0; }
#contactinformation {
display: flex;
flex-direction: row;
flex-wrap: wrap; }
.social {
display: flex;
justify-content: center; }
.social ul {
list-style-type: none;
display: flex;
justify-content: space-around;
flex-wrap: wrap;
width: 100%;
padding: 0; }
.social ul li {
display: inline-block;
padding: 0.5em; }
.social ul li a {
white-space: nowrap;
color: #3f444d;
font-size: 1em;
font-family: FreeSans, sans-serif; }
.social ul li a i {
font-size: 2em;
vertical-align: middle; }
.contactbox {
padding: 0 1.0em 0 1.0em;
box-sizing: border-box; }
@media (max-width: 28em) {
.contactbox {
width: 100% !important; } }
.contactbox ul {
list-style-type: none;
background-color: #eee;
border-radius: 0.5em;
box-shadow: 0.025em 0.1em 0.2em 0.1em #333;
box-shadow: 0.025em 0.1em 0.2em 0.1em rgba(0, 0, 0, 0.3);
padding: 10%;
margin: auto; }
.contactbox i {
padding-right: 0.3em; }
.contactbox a {
font-family: FreeSans, sans-serif;
font-weight: bold;
font-size: 1em;
color: #524e59;
white-space: nowrap; }
.contactbox img {
height: .7em;
padding-right: .5em;
filter: opacity(80%); }
.p5js {
width: 100%;
border: none;
display: block;
padding: 0;
margin: 0;
overflow-y: none; }
.video-shortcode {
width: 100%;
height: auto;
padding: 1em 0; }
#ethos {
text-align: justify; }
blockquote {
font-family: FreeSerif, serif;
font-size: .9em;
color: #444; }
cite {
font-family: FreeSerif, serif;
font-style: italic; }
#gallery h3 {
font-size: 1.7em; }
.gallery-category {
display: flex;
flex-flow: row wrap;
justify-content: space-between;
list-style-type: none;
padding: 0;
margin: 0; }
.gallery-photo {
flex-grow: 1;
height: 10.5em;
padding: .2em; }
.gallery-photo img {
min-width: 100%;
max-height: 100%;
object-fit: cover;
vertical-align: bottom;
border-radius: .2em; }
.gallery-photo img:hover {
opacity: 0.7;
transition: 0.3s;
cursor: pointer; }
.gallery-photo:last-child {
flex-grow: 10; }
/* The Modal (background) */
.modal {
display: none;
/* Hidden by default */
position: fixed;
/* Stay in place */
z-index: 1;
/* Sit on top */
padding-top: 5vh;
/* Location of the box */
left: 0;
top: 0;
width: 100%;
/* Full width */
height: 100%;
/* Full height */
overflow: auto;
/* Enable scroll if needed */
background-color: black;
/* Fallback color */
background-color: rgba(0, 0, 0, 0.9);
/* Black w/ opacity */ }
/* Modal Content (image) */
.modal-content {
margin: 4vh auto;
padding: 4vh 3%;
display: block;
width: auto;
height: auto;
max-height: 69vh;
max-width: 94%;
pointer-events: none;
user-select: none; }
#loader {
display: none;
position: absolute;
left: 50%;
top: 50%;
z-index: 1;
width: 150px;
height: 150px;
margin: -75px 0 0 -75px;
border: 16px solid #f3f3f3;
border-radius: 50%;
border-top: 16px solid #3498db;
width: 120px;
height: 120px;
-webkit-animation: fadein 1s, spin 2s linear infinite;
animation: fadein 1s, spin 2s linear infinite; }
@keyframes fadein {
from {
opacity: 0; }
to {
opacity: 1; } }
/* Firefox < 16 */
@-moz-keyframes fadein {
from {
opacity: 0; }
to {
opacity: 1; } }
@-webkit-keyframes spin {
0% {
-webkit-transform: rotate(0deg); }
100% {
-webkit-transform: rotate(360deg); } }
@keyframes spin {
0% {
transform: rotate(0deg); }
100% {
transform: rotate(360deg); } }
/* Caption of Modal Image */
#caption {
margin: auto;
display: block;
width: 80%;
max-width: 30em;
text-align: center;
color: #ccc;
padding: 1vh 0;
height: 8vh; }
/* Add Animation */
.modal-content, #caption {
animation-name: zoom;
animation-duration: 0.4s; }
@keyframes zoom {
from {
transform: scale(0.4); }
to {
transform: scale(1); } }
/* The Close Button */
.close {
position: absolute;
top: 2vh;
right: 3vh;
color: #f1f1f1;
font-size: 6vh;
font-weight: bold;
transition: 0.3s; }
.close:hover, .close:focus {
color: #bbb;
text-decoration: none;
cursor: pointer; }

35
config [conflicted].toml Normal file
View File

@@ -0,0 +1,35 @@
baseURL = "http://example.org/"
languageCode = "fr-fr"
title = "Rechampir, l'édition."
theme = "notrack"
newContentEditor = "nvim"
# mainSections = ["Récits"]["Recueils"]
# disqusShortname = "example"
paginate = 4
[params]
author = "Yves Picard"
siteHeading = "Rechampir, l'édition." # defaults to author
showBlogLatest = true
# mainSections = ["Récits"]["Recueils"]
showTaxonomyLinks = false
nBlogLatest = 4 # number of blog post om the home page
blogLatestHeading = "Derniers écrits mis en ligne"
[params.social]
github = "example"
linkedin = "example"
email = "rechampir@rechampir.net"
mastodon = "https://hostux.social/web/accounts/984"
medium = "example"
keybase = "example"
twitter = "https://twitter.com/yv_pic"
[taxonomies]
year = "year"
month = "month"
tags = "tags"
categories = "categories"
[permalinks]
blog = "/blog/:year/:month/:slug"

33
config.toml Normal file
View File

@@ -0,0 +1,33 @@
baseURL = "http://example.org/"
languageCode = "fr-fr"
title = "Rechampir, l'édition."
theme = "notrack"
newContentEditor = "nvim"
# mainSections = ["Récits"]["Recueils"]
# disqusShortname = "example"
paginate = 4
[params]
author = "Yves Picard"
siteHeading = "Rechampir, l'édition." # defaults to author
showBlogLatest = true
# mainSections = ["Récits"]["Recueils"]
showTaxonomyLinks = false
nBlogLatest = 4 # number of blog post om the home page
blogLatestHeading = "Derniers écrits mis en ligne"
[params.social]
email = "rechampir@rechampir.net"
mastodon = "@yv_pic"
twitter = "yv_pic"
xmpp = "@yvespicard@farmserv.org"
[taxonomies]
year = "year"
month = "month"
tags = "tags"
categories = "categories"
[permalinks]
blog = "/blog/:year/:month/:slug"

9
content/Recueils/La Petite Passe tranquille/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "La Petite Passe tranquille"
draft: "true"
menu:
main:
title: "La Petite Passe tranquille"
parent: "Les recueils"
---

99
content/Recueils/La Petite Passe tranquille/chapter-6.md Normal file
View File

@@ -0,0 +1,99 @@
---
date: 2017-04-14T11:25:05-04:00
description: "Esmeralda"
featured_image: "/images/esmeralda.jpg"
tags: []
title: "Chapter VI: Esmeralda"
disable_share: false
---
We are delighted to be able to inform the reader, that during the whole of
this scene, Gringoire and his piece had stood firm. His actors, spurred on
by him, had not ceased to spout his comedy, and he had not ceased to
listen to it. He had made up his mind about the tumult, and was determined
to proceed to the end, not giving up the hope of a return of attention on
the part of the public. This gleam of hope acquired fresh life, when he
saw Quasimodo, Coppenole, and the deafening escort of the pope of the
procession of fools quit the hall amid great uproar. The throng rushed
eagerly after them. “Good,” he said to himself, “there go all the
mischief-makers.” Unfortunately, all the mischief-makers constituted the
entire audience. In the twinkling of an eye, the grand hall was empty.
To tell the truth, a few spectators still remained, some scattered, others
in groups around the pillars, women, old men, or children, who had had
enough of the uproar and tumult. Some scholars were still perched astride
of the window-sills, engaged in gazing into the Place.
“Well,” thought Gringoire, “here are still as many as are required to hear
the end of my mystery. They are few in number, but it is a choice
audience, a lettered audience.”
An instant later, a symphony which had been intended to produce the
greatest effect on the arrival of the Virgin, was lacking. Gringoire
perceived that his music had been carried off by the procession of the
Pope of the Fools. “Skip it,” said he, stoically.
He approached a group of bourgeois, who seemed to him to be discussing his
piece. This is the fragment of conversation which he caught,—
“You know, Master Cheneteau, the Hôtel de Navarre, which belonged to
Monsieur de Nemours?”
“Yes, opposite the Chapelle de Braque.”
“Well, the treasury has just let it to Guillaume Alixandre, historian, for
six hivres, eight sols, parisian, a year.”
“How rents are going up!”
“Come,” said Gringoire to himself, with a sigh, “the others are
listening.”
“Comrades,” suddenly shouted one of the young scamps from the window, “La
Esmeralda! La Esmeralda in the Place!”
This word produced a magical effect. Every one who was left in the hall
flew to the windows, climbing the walls in order to see, and repeating,
“La Esmeralda! La Esmeralda?” At the same time, a great sound of applause
was heard from without.
“What’s the meaning of this, of the Esmeralda?” said Gringoire, wringing
his hands in despair. “Ah, good heavens! it seems to be the turn of the
windows now.”
He returned towards the marble table, and saw that the representation had
been interrupted. It was precisely at the instant when Jupiter should have
appeared with his thunder. But Jupiter was standing motionless at the foot
of the stage.
“Michel Giborne!” cried the irritated poet, “what are you doing there? Is
that your part? Come up!”
“Alas!” said Jupiter, “a scholar has just seized the ladder.”
Gringoire looked. It was but too true. All communication between his plot
and its solution was intercepted.
“The rascal,” he murmured. “And why did he take that ladder?”
“In order to go and see the Esmeralda,” replied Jupiter piteously. “He
said, ‘Come, here’s a ladder that’s of no use!’ and he took it.”
This was the last blow. Gringoire received it with resignation.
“May the devil fly away with you!” he said to the comedian, “and if I get
my pay, you shall receive yours.”
Then he beat a retreat, with drooping head, but the last in the field,
like a general who has fought well.
And as he descended the winding stairs of the courts: “A fine rabble of
asses and dolts these Parisians!” he muttered between his teeth; “they
come to hear a mystery and don’t listen to it at all! They are engrossed
by every one, by Chopin Trouillefou, by the cardinal, by Coppenole, by
Quasimodo, by the devil! but by Madame the Virgin Mary, not at all. If I
had known, I’d have given you Virgin Mary; you ninnies! And I! to come to
see faces and behold only backs! to be a poet, and to reap the success of
an apothecary! It is true that Homerus begged through the Greek towns, and
that Naso died in exile among the Muscovites. But may the devil flay me if
I understand what they mean with their Esmeralda! What is that word, in
the first place?—‘tis Egyptian!”

9
content/Recueils/Là eussent dû être des amis/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "Là eussent dû être des amis"
date: 2020-12-22
draft: "true"
menu:
main:
parent: "Les recueils"
---
les TP sont good &oacute;

9
content/Recueils/Nouvelles/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "Nouvelles"
date: 2020-12-22
draft: "true"
menu:
main:
parent: "Les recueils"
---
les TP sont good &oacute;

9
content/Recueils/Poésies & Chansons/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "Poésies & Chansons"
date: 2020-12-22
draft: "true"
menu:
main:
parent: "Les recueils"
---
les TP sont good &oacute;

11
content/Recueils/_index.md Normal file
View File

@@ -0,0 +1,11 @@
---
title: "Les recueils"
kind: "section"
draft: "true"
menu:
main:
identifier: "Les recueils"
weight: 15
---
Ici les recueils.

9
content/Récits/La Justice apparente/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "La Justice apparente"
date: 2020-12-22
draft: "true"
menu:
main:
parent: "Les récits"
---
les TP sont good &oacute;

9
content/Récits/Les Petits-enfants de madame Peron/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "Les Petits-enfants de madame Perón racontés à elle-même"
date: 2020-12-22
draft: "true"
menu:
main:
parent: "Les récits"
---
les TP sont good &oacute;

19
content/Récits/Les Terre-pleins/Prologue.md Normal file
View File

@@ -0,0 +1,19 @@
---
title: "Prologue"
date: 2019-03-26T08:47:11+01:00
draft: true
---
Jeune lecteur !
Tous les jours n'est-ce pas tu regardes les nuages ? Tu t'émerveilles de leurs aspects, de leur infini défilé ? Comme tu as raison ! Mais la vie contraint souvent à ne pas regarder ce que l'on aime et à poser les yeux sur ce qui fascine mais n'émerveille pas. De la fenêtre d'une voiture par exemple, sur les à-côtés, sur les terre-pleins, les embranchements et les rond-points que nous voyons chaque jour, leurs coquelicots rouge et là, soudain, un busard. Des bouleaux, des taïgas, des folles avoines et des genêts. Et leurs ombres aussi, que tu devines. Bref, sache que, s'il existe toute une science pour nommer les nuages selon leur forme, leur altitude et leur devenir, la science des terre-pleins n'existe pas encore, comme s'ils ne faisaient pas partie de la vie, effacés tout simplement.
Alors j'ai écrit une histoire qui marche à pied, allons voir.
Pour la suivre, le mieux est que toi-même tu te mettes en route : enfile tes mocassins, mets-toi torse nu et rejoins la file ! Exactement comme quand tu imagines et que tu joues. Suis les Indiens sur les sentiers, il y en a partout autour de la ville, ils sauront te guider. Vas vers les campements, les caravanes, les tentes et les taillis, écoute : au feu à la nuit tombée, il se dit des aventures tirées d'un nouveau *far west*.
Pars cette semaine par exemple, tu as le temps. Jan Yoors, un gamin de ton âge a déjà fait cela. Fais comme lui, pars et reviens selon tes souhaits. Essaye, prends l'habitude, cherche ! Sois patient les premiers soirs, ne brusque surtout pas : que tes retours à la maison se fassent en silence pour ne pas réveiller ceux qui dorment. – Tes vieux !
Et s'il te plaît plus tard, fais ton profit de cette histoire. Lorsque tu voudras à ton tour embrasser la vie, plier le monde, circonscrire les causes et faire usage de ta puissance ou simplement construire ta propre route : alors repense à ces terres-pleins et aux compagnons qui y vivent.
Je te laisse de poursuivre la fable.

18
content/Récits/Les Terre-pleins/Prologue.md~ Normal file
View File

@@ -0,0 +1,18 @@
---
title:"Prologue"
---
Jeune lecteur !
Tous les jours n'est-ce pas tu regardes les nuages ? Tu t'émerveilles de leurs aspects, de leur infini défilé ? Comme tu as raison ! Mais la vie contraint souvent à ne pas regarder ce que l'on aime et à poser les yeux sur ce qui fascine mais n'émerveille pas. De la fenêtre d'une voiture par exemple, sur les à-côtés, sur les terre-pleins, les embranchements et les rond-points que nous voyons chaque jour, leurs coquelicots rouge et là, soudain, un busard. Des bouleaux, des taïgas, des folles avoines et des genêts. Et leurs ombres aussi, que tu devines. Bref, sache que, s'il existe toute une science pour nommer les nuages selon leur forme, leur altitude et leur devenir, la science des terre-pleins n'existe pas encore, comme s'ils ne faisaient pas partie de la vie, effacés tout simplement.
Alors j'ai écrit une histoire qui marche à pied, allons voir.
Pour la suivre, le mieux est que toi-même tu te mettes en route : enfile tes mocassins, mets-toi torse nu et rejoins la file ! Exactement comme quand tu imagines et que tu joues. Suis les Indiens sur les sentiers, il y en a partout autour de la ville, ils sauront te guider. Vas vers les campements, les caravanes, les tentes et les taillis, écoute : au feu à la nuit tombée, il se dit des aventures tirées d'un nouveau *far west*.
Pars cette semaine par exemple, tu as le temps. Jan Yoors, un gamin de ton âge a déjà fait cela. Fais comme lui, pars et reviens selon tes souhaits. Essaye, prends l'habitude, cherche ! Sois patient les premiers soirs, ne brusque surtout pas : que tes retours à la maison se fassent en silence pour ne pas réveiller ceux qui dorment. – Tes vieux !
Et s'il te plaît plus tard, fais ton profit de cette histoire. Lorsque tu voudras à ton tour embrasser la vie, plier le monde, circonscrire les causes et faire usage de ta puissance ou simplement construire ta propre route : alors repense à ces terres-pleins et aux compagnons qui y vivent.
Je te laisse de poursuivre la fable.

9
content/Récits/Les Terre-pleins/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "Les Terre-pleins"
date: 2020-12-22
draft: "true"
menu:
main:
parent: "Les récits"
---
les TP sont good

81
content/Récits/Les Terre-pleins/chapter-1.md Normal file
View File

@@ -0,0 +1,81 @@
---
date: 2017-04-09T10:58:08-04:00
description: "The Grand Hall"
featured_image: "/images/Pope-Edouard-de-Beaumont-1844.jpg"
tags: ["scene"]
title: "Chapter I: The Grand Hall"
---
Three hundred and forty-eight years, six months, and nineteen days ago
to-day, the Parisians awoke to the sound of all the bells in the triple
circuit of the city, the university, and the town ringing a full peal.
The sixth of January, 1482, is not, however, a day of which history has
preserved the memory. There was nothing notable in the event which thus
set the bells and the bourgeois of Paris in a ferment from early morning.
It was neither an assault by the Picards nor the Burgundians, nor a hunt
led along in procession, nor a revolt of scholars in the town of Laas, nor
an entry of “our much dread lord, monsieur the king,” nor even a pretty
hanging of male and female thieves by the courts of Paris. Neither was it
the arrival, so frequent in the fifteenth century, of some plumed and
bedizened embassy. It was barely two days since the last cavalcade of that
nature, that of the Flemish ambassadors charged with concluding the
marriage between the dauphin and Marguerite of Flanders, had made its
entry into Paris, to the great annoyance of M. le Cardinal de Bourbon,
who, for the sake of pleasing the king, had been obliged to assume an
amiable mien towards this whole rustic rabble of Flemish burgomasters, and
to regale them at his Hôtel de Bourbon, with a very “pretty morality,
allegorical satire, and farce,” while a driving rain drenched the
magnificent tapestries at his door.
What put the “whole population of Paris in commotion,” as Jehan de Troyes
expresses it, on the sixth of January, was the double solemnity, united
from time immemorial, of the Epiphany and the Feast of Fools.
On that day, there was to be a bonfire on the Place de Grève, a maypole at
the Chapelle de Braque, and a mystery at the Palais de Justice. It had
been cried, to the sound of the trumpet, the preceding evening at all the
cross roads, by the provost’s men, clad in handsome, short, sleeveless
coats of violet camelot, with large white crosses upon their breasts.
So the crowd of citizens, male and female, having closed their houses and
shops, thronged from every direction, at early morn, towards some one of
the three spots designated.
Each had made his choice; one, the bonfire; another, the maypole; another,
the mystery play. It must be stated, in honor of the good sense of the
loungers of Paris, that the greater part of this crowd directed their
steps towards the bonfire, which was quite in season, or towards the
mystery play, which was to be presented in the grand hall of the Palais de
Justice (the courts of law), which was well roofed and walled; and that
the curious left the poor, scantily flowered maypole to shiver all alone
beneath the sky of January, in the cemetery of the Chapel of Braque.
The populace thronged the avenues of the law courts in particular, because
they knew that the Flemish ambassadors, who had arrived two days
previously, intended to be present at the representation of the mystery,
and at the election of the Pope of the Fools, which was also to take place
in the grand hall.
It was no easy matter on that day, to force one’s way into that grand
hall, although it was then reputed to be the largest covered enclosure in
the world (it is true that Sauval had not yet measured the grand hall of
the Château of Montargis). The palace place, encumbered with people,
offered to the curious gazers at the windows the aspect of a sea; into
which five or six streets, like so many mouths of rivers, discharged every
moment fresh floods of heads. The waves of this crowd, augmented
incessantly, dashed against the angles of the houses which projected here
and there, like so many promontories, into the irregular basin of the
place. In the centre of the lofty Gothic* façade of the palace, the grand
staircase, incessantly ascended and descended by a double current, which,
after parting on the intermediate landing-place, flowed in broad waves
along its lateral slopes,—the grand staircase, I say, trickled
incessantly into the place, like a cascade into a lake. The cries, the
laughter, the trampling of those thousands of feet, produced a great noise
and a great clamor. From time to time, this noise and clamor redoubled;
the current which drove the crowd towards the grand staircase flowed
backwards, became troubled, formed whirlpools. This was produced by the
buffet of an archer, or the horse of one of the provost’s sergeants, which
kicked to restore order; an admirable tradition which the provostship has
bequeathed to the constablery, the constablery to the _maréchaussée_,
the _maréchaussée_ to our _gendarmeri_ of Paris.

90
content/Récits/Les Terre-pleins/chapter-2.md Normal file
View File

@@ -0,0 +1,90 @@
---
date: 2017-04-10T11:00:59-04:00
description: "Pierre Gringoire"
featured_image: ""
tags: []
title: "Chapter II: Pierre Gringoire"
---
Nevertheless, as be harangued them, the satisfaction and admiration
unanimously excited by his costume were dissipated by his words; and when
he reached that untoward conclusion: “As soon as his illustrious eminence,
the cardinal, arrives, we will begin,” his voice was drowned in a thunder
of hooting.
“Begin instantly! The mystery! the mystery immediately!” shrieked the
people. And above all the voices, that of Johannes de Molendino was
audible, piercing the uproar like the fife’s derisive serenade: “Commence
instantly!” yelped the scholar.
“Down with Jupiter and the Cardinal de Bourbon!” vociferated Robin
Poussepain and the other clerks perched in the window.
“The morality this very instant!” repeated the crowd; “this very instant!
the sack and the rope for the comedians, and the cardinal!”
Poor Jupiter, haggard, frightened, pale beneath his rouge, dropped his
thunderbolt, took his cap in his hand; then he bowed and trembled and
stammered: “His eminence—the ambassadors—Madame Marguerite of
Flanders—.” He did not know what to say. In truth, he was afraid of
being hung.
Hung by the populace for waiting, hung by the cardinal for not having
waited, he saw between the two dilemmas only an abyss; that is to say, a
gallows.
Luckily, some one came to rescue him from his embarrassment, and assume
the responsibility.
An individual who was standing beyond the railing, in the free space
around the marble table, and whom no one had yet caught sight of, since
his long, thin body was completely sheltered from every visual ray by the
diameter of the pillar against which he was leaning; this individual, we
say, tall, gaunt, pallid, blond, still young, although already wrinkled
about the brow and cheeks, with brilliant eyes and a smiling mouth, clad
in garments of black serge, worn and shining with age, approached the
marble table, and made a sign to the poor sufferer. But the other was so
confused that he did not see him. The new comer advanced another step.
“Jupiter,” said he, “my dear Jupiter!”
The other did not hear.
At last, the tall blond, driven out of patience, shrieked almost in his
face,—
“Michel Giborne!”
“Who calls me?” said Jupiter, as though awakened with a start.
“I,” replied the person clad in black.
“Ah!” said Jupiter.
“Begin at once,” went on the other. “Satisfy the populace; I undertake to
appease the bailiff, who will appease monsieur the cardinal.”
Jupiter breathed once more.
“Messeigneurs the bourgeois,” he cried, at the top of his lungs to the
crowd, which continued to hoot him, “we are going to begin at once.”
“_Evoe Jupiter! Plaudite cives_! All hail, Jupiter! Applaud,
citizens!” shouted the scholars.
“Noel! Noel! good, good,” shouted the people.
The hand clapping was deafening, and Jupiter had already withdrawn under
his tapestry, while the hall still trembled with acclamations.
In the meanwhile, the personage who had so magically turned the tempest
into dead calm, as our old and dear Corneille puts it, had modestly
retreated to the half-shadow of his pillar, and would, no doubt, have
remained invisible there, motionless, and mute as before, had he not been
plucked by the sleeve by two young women, who, standing in the front row
of the spectators, had noticed his colloquy with Michel Giborne-Jupiter.
“Master,” said one of them, making him a sign to approach. “Hold your
tongue, my dear Liénarde,” said her neighbor, pretty, fresh, and very
brave, in consequence of being dressed up in her best attire. “He is not a
clerk, he is a layman; you must not say master to him, but messire.”

100
content/Récits/Les Terre-pleins/chapter-3.md Normal file
View File

@@ -0,0 +1,100 @@
---
date: 2017-04-11T11:13:32-04:00
description: "Monsieur the Cardinal"
featured_image: ""
tags: []
title: "Chapter III: Monsieur the Cardinal"
---
Poor Gringoire! the din of all the great double petards of the Saint-Jean,
the discharge of twenty arquebuses on supports, the detonation of that
famous serpentine of the Tower of Billy, which, during the siege of Paris,
on Sunday, the twenty-sixth of September, 1465, killed seven Burgundians
at one blow, the explosion of all the powder stored at the gate of the
Temple, would have rent his ears less rudely at that solemn and dramatic
moment, than these few words, which fell from the lips of the usher, “His
eminence, Monseigneur the Cardinal de Bourbon.”
It is not that Pierre Gringoire either feared or disdained monsieur the
cardinal. He had neither the weakness nor the audacity for that. A true
eclectic, as it would be expressed nowadays, Gringoire was one of those
firm and lofty, moderate and calm spirits, which always know how to bear
themselves amid all circumstances (_stare in dimidio rerum_), and who
are full of reason and of liberal philosophy, while still setting store by
cardinals. A rare, precious, and never interrupted race of philosophers to
whom wisdom, like another Ariadne, seems to have given a clew of thread
which they have been walking along unwinding since the beginning of the
world, through the labyrinth of human affairs. One finds them in all ages,
ever the same; that is to say, always according to all times. And, without
reckoning our Pierre Gringoire, who may represent them in the fifteenth
century if we succeed in bestowing upon him the distinction which he
deserves, it certainly was their spirit which animated Father du Breul,
when he wrote, in the sixteenth, these naively sublime words, worthy of
all centuries: “I am a Parisian by nation, and a Parrhisian in language,
for _parrhisia_ in Greek signifies liberty of speech; of which I have
made use even towards messeigneurs the cardinals, uncle and brother to
Monsieur the Prince de Conty, always with respect to their greatness, and
without offending any one of their suite, which is much to say.”
There was then neither hatred for the cardinal, nor disdain for his
presence, in the disagreeable impression produced upon Pierre Gringoire.
Quite the contrary; our poet had too much good sense and too threadbare a
coat, not to attach particular importance to having the numerous allusions
in his prologue, and, in particular, the glorification of the dauphin, son
of the Lion of France, fall upon the most eminent ear. But it is not
interest which predominates in the noble nature of poets. I suppose that
the entity of the poet may be represented by the number ten; it is certain
that a chemist on analyzing and pharmacopolizing it, as Rabelais says,
would find it composed of one part interest to nine parts of self-esteem.
Now, at the moment when the door had opened to admit the cardinal, the
nine parts of self-esteem in Gringoire, swollen and expanded by the breath
of popular admiration, were in a state of prodigious augmentation, beneath
which disappeared, as though stifled, that imperceptible molecule of which
we have just remarked upon in the constitution of poets; a precious
ingredient, by the way, a ballast of reality and humanity, without which
they would not touch the earth. Gringoire enjoyed seeing, feeling,
fingering, so to speak an entire assembly (of knaves, it is true, but what
matters that?) stupefied, petrified, and as though asphyxiated in the
presence of the incommensurable tirades which welled up every instant from
all parts of his bridal song. I affirm that he shared the general
beatitude, and that, quite the reverse of La Fontaine, who, at the
presentation of his comedy of the “Florentine,” asked, “Who is the
ill-bred lout who made that rhapsody?” Gringoire would gladly have
inquired of his neighbor, “Whose masterpiece is this?”
The reader can now judge of the effect produced upon him by the abrupt and
unseasonable arrival of the cardinal.
That which he had to fear was only too fully realized. The entrance of his
eminence upset the audience. All heads turned towards the gallery. It was
no longer possible to hear one’s self. “The cardinal! The cardinal!”
repeated all mouths. The unhappy prologue stopped short for the second
time.
The cardinal halted for a moment on the threshold of the estrade. While he
was sending a rather indifferent glance around the audience, the tumult
redoubled. Each person wished to get a better view of him. Each man vied
with the other in thrusting his head over his neighbor’s shoulder.
He was, in fact, an exalted personage, the sight of whom was well worth
any other comedy. Charles, Cardinal de Bourbon, Archbishop and Comte of
Lyon, Primate of the Gauls, was allied both to Louis XI., through his
brother, Pierre, Seigneur de Beaujeu, who had married the king’s eldest
daughter, and to Charles the Bold through his mother, Agnes of Burgundy.
Now, the dominating trait, the peculiar and distinctive trait of the
character of the Primate of the Gauls, was the spirit of the courtier, and
devotion to the powers that be. The reader can form an idea of the
numberless embarrassments which this double relationship had caused him,
and of all the temporal reefs among which his spiritual bark had been
forced to tack, in order not to suffer shipwreck on either Louis or
Charles, that Scylla and that Charybdis which had devoured the Duc de
Nemours and the Constable de Saint-Pol. Thanks to Heaven’s mercy, he had
made the voyage successfully, and had reached home without hindrance. But
although he was in port, and precisely because he was in port, he never
recalled without disquiet the varied haps of his political career, so long
uneasy and laborious. Thus, he was in the habit of saying that the year
1476 had been “white and black” for him—meaning thereby, that in the
course of that year he had lost his mother, the Duchesse de la
Bourbonnais, and his cousin, the Duke of Burgundy, and that one grief had
consoled him for the other.

86
content/Récits/Les Terre-pleins/chapter-4.md Normal file
View File

@@ -0,0 +1,86 @@
---
date: 2017-04-12T11:14:48-04:00
description: "Master Jacques Coppenole"
featured_image: ""
tags: ["scene"]
title: "Chapter IV: Master Jacques Coppenole"
---
While the pensioner of Ghent and his eminence were exchanging very low
bows and a few words in voices still lower, a man of lofty stature, with a
large face and broad shoulders, presented himself, in order to enter
abreast with Guillaume Rym; one would have pronounced him a bull-dog by
the side of a fox. His felt doublet and leather jerkin made a spot on the
velvet and silk which surrounded him. Presuming that he was some groom who
had stolen in, the usher stopped him.
“Hold, my friend, you cannot pass!”
The man in the leather jerkin shouldered him aside.
“What does this knave want with me?” said he, in stentorian tones, which
rendered the entire hall attentive to this strange colloquy. “Don’t you
see that I am one of them?”
“Your name?” demanded the usher.
“Jacques Coppenole.”
“Your titles?”
“Hosier at the sign of the ‘Three Little Chains,’ of Ghent.”
The usher recoiled. One might bring one’s self to announce aldermen and
burgomasters, but a hosier was too much. The cardinal was on thorns. All
the people were staring and listening. For two days his eminence had been
exerting his utmost efforts to lick these Flemish bears into shape, and to
render them a little more presentable to the public, and this freak was
startling. But Guillaume Rym, with his polished smile, approached the
usher.
“Announce Master Jacques Coppenole, clerk of the aldermen of the city of
Ghent,” he whispered, very low.
“Usher,” interposed the cardinal, aloud, “announce Master Jacques
Coppenole, clerk of the aldermen of the illustrious city of Ghent.”
This was a mistake. Guillaume Rym alone might have conjured away the
difficulty, but Coppenole had heard the cardinal.
“No, cross of God?” he exclaimed, in his voice of thunder, “Jacques
Coppenole, hosier. Do you hear, usher? Nothing more, nothing less. Cross
of God! hosier; that’s fine enough. Monsieur the Archduke has more than
once sought his _gant_\* in my hose.”
_* Got the first idea of a timing._
Laughter and applause burst forth. A jest is always understood in Paris,
and, consequently, always applauded.
Let us add that Coppenole was of the people, and that the auditors which
surrounded him were also of the people. Thus the communication between him
and them had been prompt, electric, and, so to speak, on a level. The
haughty air of the Flemish hosier, by humiliating the courtiers, had
touched in all these plebeian souls that latent sentiment of dignity still
vague and indistinct in the fifteenth century.
This hosier was an equal, who had just held his own before monsieur the
cardinal. A very sweet reflection to poor fellows habituated to respect
and obedience towards the underlings of the sergeants of the bailiff of
Sainte-Geneviève, the cardinal’s train-bearer.
Coppenole proudly saluted his eminence, who returned the salute of the
all-powerful bourgeois feared by Louis XI. Then, while Guillaume Rym, a
“sage and malicious man,” as Philippe de Comines puts it, watched them
both with a smile of raillery and superiority, each sought his place, the
cardinal quite abashed and troubled, Coppenole tranquil and haughty, and
thinking, no doubt, that his title of hosier was as good as any other,
after all, and that Marie of Burgundy, mother to that Marguerite whom
Coppenole was to-day bestowing in marriage, would have been less afraid of
the cardinal than of the hosier; for it is not a cardinal who would have
stirred up a revolt among the men of Ghent against the favorites of the
daughter of Charles the Bold; it is not a cardinal who could have
fortified the populace with a word against her tears and prayers, when the
Maid of Flanders came to supplicate her people in their behalf, even at
the very foot of the scaffold; while the hosier had only to raise his
leather elbow, in order to cause to fall your two heads, most illustrious
seigneurs, Guy d’Hymbercourt and Chancellor Guillaume Hugonet.

17
content/Récits/Les Terre-pleins/chapter-5.md Normal file
View File

@@ -0,0 +1,17 @@
---
date: 2017-04-13T11:15:58-04:00
description: "Quasimodo"
featured_image: ""
tags: []
title: "Chapter V: Quasimodo"
---
In the twinkling of an eye, all was ready to execute Coppenole’s idea. Bourgeois, scholars and law clerks all set to work. The little chapel situated opposite the marble table was selected for the scene of the grinning match. A pane broken in the pretty rose window above the door, left free a circle of stone through which it was agreed that the competitors should thrust their heads. In order to reach it, it was only necessary to mount upon a couple of hogsheads, which had been produced from I know not where, and perched one upon the other, after a fashion. It was settled that each candidate, man or woman (for it was possible to choose a female pope), should, for the sake of leaving the impression of his grimace fresh and complete, cover his face and remain concealed in the chapel until the moment of his appearance. In less than an instant, the chapel was crowded with competitors, upon whom the door was then closed.
Coppenole, from his post, ordered all, directed all, arranged all. During the uproar, the cardinal, no less abashed than Gringoire, had retired with all his suite, under the pretext of business and vespers, without the crowd which his arrival had so deeply stirred being in the least moved by his departure. Guillaume Rym was the only one who noticed his eminence’s discomfiture. The attention of the populace, like the sun, pursued its revolution; having set out from one end of the hall, and halted for a space in the middle, it had now reached the other end. The marble table, the brocaded gallery had each had their day; it was now the turn of the chapel of Louis XI. Henceforth, the field was open to all folly. There was no one there now, but the Flemings and the rabble.
The grimaces began. The first face which appeared at the aperture, with eyelids turned up to the reds, a mouth open like a maw, and a brow wrinkled like our hussar boots of the Empire, evoked such an inextinguishable peal of laughter that Homer would have taken all these louts for gods. Nevertheless, the grand hall was anything but Olympus, and Gringoire’s poor Jupiter knew it better than any one else. A second and third grimace followed, then another and another; and the laughter and transports of delight went on increasing. There was in this spectacle, a peculiar power of intoxication and fascination, of which it would be difficult to convey to the reader of our day and our salons any idea.
Let the reader picture to himself a series of visages presenting successively all geometrical forms, from the triangle to the trapezium, from the cone to the polyhedron; all human expressions, from wrath to lewdness; all ages, from the wrinkles of the new-born babe to the wrinkles of the aged and dying; all religious phantasmagories, from Faun to Beelzebub; all animal profiles, from the maw to the beak, from the jowl to the muzzle. Let the reader imagine all these grotesque figures of the Pont Neuf, those nightmares petrified beneath the hand of Germain Pilon, assuming life and breath, and coming in turn to stare you in the face with burning eyes; all the masks of the Carnival of Venice passing in succession before your glass,—in a word, a human kaleidoscope.
The orgy grew more and more Flemish. Teniers could have given but a very imperfect idea of it. Let the reader picture to himself in bacchanal form, Salvator Rosa’s battle. There were no longer either scholars or ambassadors or bourgeois or men or women; there was no longer any Clopin Trouillefou, nor Gilles Lecornu, nor Marie Quatrelivres, nor Robin Poussepain. All was universal license. The grand hall was no longer anything but a vast furnace of effrontry and joviality, where every mouth was a cry, every individual a posture; everything shouted and howled. The strange visages which came, in turn, to gnash their teeth in the rose window, were like so many brands cast into the brazier; and from the whole of this effervescing crowd, there escaped, as from a furnace, a sharp, piercing, stinging noise, hissing like the wings of a gnat.

100
content/Récits/Les Terre-pleins/chapter-6.md Normal file
View File

@@ -0,0 +1,100 @@
---
date: 2017-04-14T11:25:05-04:00
description: "Esmeralda"
featured_image: "/images/esmeralda.jpg"
tags: [TP]
category: [terP]
title: "Chapter VI: Esmeralda"
disable_share: false
---
We are delighted to be able to inform the reader, that during the whole of
this scene, Gringoire and his piece had stood firm. His actors, spurred on
by him, had not ceased to spout his comedy, and he had not ceased to
listen to it. He had made up his mind about the tumult, and was determined
to proceed to the end, not giving up the hope of a return of attention on
the part of the public. This gleam of hope acquired fresh life, when he
saw Quasimodo, Coppenole, and the deafening escort of the pope of the
procession of fools quit the hall amid great uproar. The throng rushed
eagerly after them. “Good,” he said to himself, “there go all the
mischief-makers.” Unfortunately, all the mischief-makers constituted the
entire audience. In the twinkling of an eye, the grand hall was empty.
To tell the truth, a few spectators still remained, some scattered, others
in groups around the pillars, women, old men, or children, who had had
enough of the uproar and tumult. Some scholars were still perched astride
of the window-sills, engaged in gazing into the Place.
“Well,” thought Gringoire, “here are still as many as are required to hear
the end of my mystery. They are few in number, but it is a choice
audience, a lettered audience.”
An instant later, a symphony which had been intended to produce the
greatest effect on the arrival of the Virgin, was lacking. Gringoire
perceived that his music had been carried off by the procession of the
Pope of the Fools. “Skip it,” said he, stoically.
He approached a group of bourgeois, who seemed to him to be discussing his
piece. This is the fragment of conversation which he caught,—
“You know, Master Cheneteau, the Hôtel de Navarre, which belonged to
Monsieur de Nemours?”
“Yes, opposite the Chapelle de Braque.”
“Well, the treasury has just let it to Guillaume Alixandre, historian, for
six hivres, eight sols, parisian, a year.”
“How rents are going up!”
“Come,” said Gringoire to himself, with a sigh, “the others are
listening.”
“Comrades,” suddenly shouted one of the young scamps from the window, “La
Esmeralda! La Esmeralda in the Place!”
This word produced a magical effect. Every one who was left in the hall
flew to the windows, climbing the walls in order to see, and repeating,
“La Esmeralda! La Esmeralda?” At the same time, a great sound of applause
was heard from without.
“What’s the meaning of this, of the Esmeralda?” said Gringoire, wringing
his hands in despair. “Ah, good heavens! it seems to be the turn of the
windows now.”
He returned towards the marble table, and saw that the representation had
been interrupted. It was precisely at the instant when Jupiter should have
appeared with his thunder. But Jupiter was standing motionless at the foot
of the stage.
“Michel Giborne!” cried the irritated poet, “what are you doing there? Is
that your part? Come up!”
“Alas!” said Jupiter, “a scholar has just seized the ladder.”
Gringoire looked. It was but too true. All communication between his plot
and its solution was intercepted.
“The rascal,” he murmured. “And why did he take that ladder?”
“In order to go and see the Esmeralda,” replied Jupiter piteously. “He
said, ‘Come, here’s a ladder that’s of no use!’ and he took it.”
This was the last blow. Gringoire received it with resignation.
“May the devil fly away with you!” he said to the comedian, “and if I get
my pay, you shall receive yours.”
Then he beat a retreat, with drooping head, but the last in the field,
like a general who has fought well.
And as he descended the winding stairs of the courts: “A fine rabble of
asses and dolts these Parisians!” he muttered between his teeth; “they
come to hear a mystery and don’t listen to it at all! They are engrossed
by every one, by Chopin Trouillefou, by the cardinal, by Coppenole, by
Quasimodo, by the devil! but by Madame the Virgin Mary, not at all. If I
had known, I’d have given you Virgin Mary; you ninnies! And I! to come to
see faces and behold only backs! to be a poet, and to reap the success of
an apothecary! It is true that Homerus begged through the Greek towns, and
that Naso died in exile among the Muscovites. But may the devil flay me if
I understand what they mean with their Esmeralda! What is that word, in
the first place?—‘tis Egyptian!”

10
content/Récits/_index.md Normal file
View File

@@ -0,0 +1,10 @@
---
title: "Les récits"
draft: "true"
menu:
main:
identifier: "Les récits"
weight: 10
---
Ici les récits.

16
content/Résumés/Résumés.md Normal file
View File

@@ -0,0 +1,16 @@
---
title: "Résumés"
date: 2020-12-23
draft: "true"
menu: "main"
weight: 20
---
# Résumés des récits
{{< resume-entry what="Les Terre-pleins"
where="Autour de Rennes, des Horizons à Tihouït"
when="2010–2013" >}}
Tina, la fille de monsieur Marc, décide de franchir la barrière symbolique de la rocade.
Maghlout, lui, tourne déjà autour de Rennes.
{{< /resume-entry >}}
# Présentation des recueils

47
content/_index.md Normal file
View File

@@ -0,0 +1,47 @@
---
title: "Accueil"
date: 2020-12-23
draft: "true"
menu: "main"
weight: 5
---
# Se redonner du champ
*Rechampir, l'édition* est un espace de publication électronique créé et animé par Yves Picard.
Son ambition et sa forme sont modestes et entendent le rester.
>«&nbsp;Au village, tout le monde sait toutes les histoires
>mais il y en a que deux ou trois qui les disent.&nbsp;»
>(*La Justice apparente*, éditions Apogée, 2007.)
### Au générique
Le site est créé grâce à Hugo, [https://gohugo.io/](https://gohugo.io/), à partir du thème Notrack [https://github.com/gevhaz/hugo-theme-notrack](https://github.com/gevhaz/hugo-theme-notrack)
La typo du titre et des menus est de l'Infini, heureuse initiative [http://www.cnap.graphismeenfrance.fr/infini/](http://www.cnap.graphismeenfrance.fr/infini/). La titraille est en Ubuntu et le texte en FreeSerif.
Merci à Mistral Oz pour son aide bienveillante :) [https://www.lewebenplus.net/](https://github.com/gevhaz/hugo-theme-notrack)
## Contact
Le blog Rechampir est ici : [https://rechampir.net/](https://rechampir.net/)
{{< social >}}
Ce qu'il reste à faire pour la v. 0.9
* arborescence complète : ok mais les pages "sections" n'affichent rien & comment prendre en compte les sous-dossiers ?
* résumés à compléter
Pour la v. 1 :
* imports des textes
Fonctionnalités à intégrer (layouts)
* intégrer ensuite chapitre avant/chapitre après
* possibilité d'un fil d'Ariane ?
* numérotation des paragraphes ?
Ce qui ne marche pas encore :
* customiser le lien social "mastodon.social"
* le lien social XMPP

511
data/social.yaml Normal file
View File

@@ -0,0 +1,511 @@
# 001: Github
github:
weight: 1
prefix: https://github.com/
title: GitHub
icon:
class: fab fa-github-alt fa-fw
# 002: LinkedIn
linkedin:
weight: 2
prefix: https://linkedin.com/in/
title: LinkedIn
icon:
class: fab fa-linkedin fa-fw
# 003: Twitter
twitter:
weight: 3
prefix: https://twitter.com/
title: Twitter
icon:
class: fab fa-twitter fa-fw
# 004: Instagram
instagram:
weight: 4
prefix: https://www.instagram.com/
title: Instagram
icon:
class: fab fa-instagram fa-fw
# 005: facebook
facebook:
weight: 5
prefix: https://facebook.com/
title: Facebook
icon:
class: fab fa-facebook fa-fw
# 006: Telegram
telegram:
weight: 6
prefix: https://t.me/
title: Telegram
icon:
class: fab fa-telegram-plane fa-fw
# 007: Medium
medium:
weight: 7
prefix: https://medium.com/
title: Medium
icon:
class: fab fa-medium fa-fw
# 008: GitLab
gitlab:
weight: 8
prefix: https://gitlab.com/
title: GitLab
icon:
class: fab fa-gitlab fa-fw
# 009: YouTube Legacy
youtubelegacy:
weight: 9
prefix: https://www.youtube.com/user/
title: YouTube
icon:
class: fab fa-youtube fa-fw
# 010: YouTube Custom
youtubecustom:
weight: 10
prefix: https://www.youtube.com/c/
title: YouTube
icon:
class: fab fa-youtube fa-fw
# 011: YouTube Channel
youtubechannel:
weight: 11
prefix: https://www.youtube.com/channel/
title: YouTube
icon:
class: fab fa-youtube fa-fw
# 012: Tumblr
tumblr:
weight: 12
template: https://%v.tumblr.com/
title: Tumblr
icon:
class: fab fa-tumblr fa-fw
# 013: Quora
quora:
weight: 13
prefix: https://www.quora.com/profile/
title: Quora
icon:
class: fab fa-quora fa-fw
# 014: Keybase
keybase:
weight: 14
prefix: https://keybase.io/
title: Keybase
icon:
class: fab fa-keybase fa-fw
# 015: Pinterest
pinterest:
weight: 15
prefix: https://www.pinterest.com/
title: Pinterest
icon:
class: fab fa-pinterest fa-fw
# 016: Reddit
reddit:
weight: 16
prefix: https://www.reddit.com/user/
title: Reddit
icon:
class: fab fa-reddit fa-fw
# 017: CodePen
codepen:
weight: 17
prefix: https://codepen.io/
title: CodePen
icon:
class: fab fa-codepen fa-fw
# 018: freeCodeCamp
freecodecamp:
weight: 18
prefix: https://freecodecamp.org/
title: freeCodeCamp
icon:
class: fab fa-free-code-camp fa-fw
# 019: Bitbucket
bitbucket:
weight: 19
prefix: https://bitbucket.org/
title: Bitbucket
icon:
class: fab fa-bitbucket fa-fw
# 020: Stack Overflow
stackoverflow:
weight: 20
prefix: https://stackoverflow.com/users/
title: Stack Overflow
icon:
class: fab fa-codepen fa-fw
# 021: 微博
weibo:
weight: 21
prefix: https://weibo.com/
title: 微博
icon:
class: fab fa-weibo fa-fw
# 022: OK.RU
odnoklassniki:
weight: 22
prefix: https://ok.ru/
title: OK.RU
icon:
class: fab fa-odnoklassniki fa-fw
# 023: VK
vk:
weight: 23
prefix: https://vk.com/
title: VK
icon:
class: fab fa-vk fa-fw
# 024: Flickr
flickr:
weight: 24
prefix: https://www.flickr.com/photos/
title: Flickr
icon:
class: fab fa-flickr fa-fw
# 025: Xing
xing:
weight: 25
prefix: https://www.xing.com/profile/
title: Xing
icon:
class: fab fa-xing fa-fw
# 026: Snapchat
snapchat:
weight: 26
prefix: https://www.snapchat.com/add/
title: Snapchat
icon:
class: fab fa-snapchat fa-fw
# 027: SoundCloud
soundcloud:
weight: 27
prefix: https://soundcloud.com/
title: SoundCloud
icon:
class: fab fa-soundcloud fa-fw
# 028: Spotify
spotify:
weight: 28
prefix: https://open.spotify.com/user/
title: Spotify
icon:
class: fab fa-spotify fa-fw
# 029: Bandcamp
bandcamp:
weight: 29
template: https://%v.bandcamp.com/
title: Bandcamp
icon:
class: fab fa-bandcamp fa-fw
# 030: PayPal
paypal:
weight: 30
prefix: https://paypal.me/
title: PayPal
icon:
class: fab fa-paypal fa-fw
# 031: 500px
fivehundredpx:
weight: 31
prefix: https://500px.com/
title: 500px
icon:
class: fab fa-500px fa-fw
# 032: Mix
mix:
weight: 32
prefix: https://mix.com/
title: Mix
icon:
class: fab fa-mix fa-fw
# 033: Goodreads
goodreads:
weight: 33
prefix: https://www.goodreads.com/user/show/
title: Goodreads
icon:
class: fab fa-goodreads fa-fw
# 034: Last.fm
lastfm:
weight: 34
prefix: https://www.last.fm/user/
title: Last.fm
icon:
class: fab fa-lastfm fa-fw
# 035: Foursquare
foursquare:
weight: 35
prefix: https://foursquare.com/
title: Foursquare
icon:
class: fab fa-foursquare fa-fw
# 036: Hacker News
hackernews:
weight: 36
template: https://news.ycombinator.com/user?id=%v
title: Hacker News
icon:
class: fab fa-hacker-news fa-fw
# 037: Kickstarter
kickstarter:
weight: 37
prefix: https://kickstarter.com/profile/
title: Kickstarter
icon:
class: fab fa-kickstarter fa-fw
# 038: Patreon
patreon:
weight: 38
prefix: https://patreon.com/
title: Patreon
icon:
class: fab fa-patreon fa-fw
# 039: Steam
steam:
weight: 39
prefix: https://steamcommunity.com/id/
title: Steam
icon:
class: fab fa-steam fa-fw
# 040: Twitch
twitch:
weight: 40
prefix: https://www.twitch.tv/
title: Twitch
icon:
class: fab fa-twitch fa-fw
# 041: Strava
strava:
weight: 41
prefix: https://www.strava.com/athletes/
title: Strava
icon:
class: fab fa-strava fa-fw
# 042: Skype
skype:
weight: 42
template: "skype:"
title: Skype
icon:
class: fab fa-skype fa-fw
# 043: WhatsApp
whatsapp:
weight: 43
prefix: https://wa.me/
title: WhatsApp
icon:
class: fab fa-whatsapp fa-fw
# 044: 知乎
zhihu:
weight: 44
prefix: https://www.zhihu.com/people/
title: 知乎
icon:
simpleicons: zhihu
# 045: 豆瓣
douban:
weight: 45
prefix: https://www.douban.com/people/
title: 豆瓣
icon:
simpleicons: douban
# 046: Angellist
angellist:
weight: 46
prefix: https://angel.co/
title: Angellist
icon:
class: fab fa-angellist fa-fw
# 047: SlideShare
slideshare:
weight: 47
prefix: https://slideshare.com/
title: SlideShare
icon:
class: fab fa-slideshare fa-fw
# 048: JSFiddle
jsfiddle:
weight: 48
prefix: https://jsfiddle.com/
title: JSFiddle
icon:
class: fab fa-jsfiddle fa-fw
# 049: DeviantArt
deviantart:
weight: 49
template: https://%v.deviantart.com/
title: DeviantArt
icon:
class: fab fa-deviantart fa-fw
# 050: Behance
behance:
weight: 50
prefix: https://behance.net/
title: Behance
icon:
class: fab fa-behance fa-fw
# 051: Dribbble
dribbble:
weight: 51
prefix: https://dribbble.com/
title: Dribbble
icon:
class: fab fa-dribbble fa-fw
# 052: WordPress
wordpress:
weight: 52
template: https://%v.wordpress.com/
title: WordPress
icon:
class: fab fa-wordpress fa-fw
# 053: Vine
vine:
weight: 53
prefix: https://vine.co/
title: Vine
icon:
class: fab fa-vine fa-fw
# 054: Google Scholar
googlescholar:
weight: 54
template: https://scholar.google.com/citations?%v
title: Google Scholar
icon:
simpleicons: googlescholar
# 055: ResearchGate
researchgate:
weight: 55
prefix: https://www.researchgate.net/profile/
title: ResearchGate
icon:
class: fab fa-researchgate fa-fw
# 056: Mastodon
mastodon:
weight: 56
prefix: https://hostux.social/
title: Mastodon
icon:
class: fab fa-mastodon fa-fw
# 057: Thingiverse
thingiverse:
weight: 57
prefix: https://www.thingiverse.com/
title: Thingiverse
icon:
src: svg/icons/thingiverse.svg
# 058: Dev.To
devto:
weight: 58
prefix: https://dev.to/
title: Dev.To
icon:
class: fab fa-dev fa-fw
# 059: Gitea
gitea:
weight: 59
title: Gitea
icon:
simpleicons: gitea
# 060: XMPP
xmpp:
weight: 60
template: xmpp:%v
title: XMPP
icon:
simpleicons: xmpp
# 061: Matrix
matrix:
weight: 61
prefix: https://matrix.to/#/
title: Matrix
icon:
simpleicons: matrix
# 062: bilibili
bilibili:
weight: 62
prefix: https://space.bilibili.com/
title: bilibili
icon:
src: svg/icons/bilibili.svg
# 063: Email
email:
weight: 63
template: mailto:%v
title: Email
icon:
class: fas fa-envelope fa-fw
# 064: RSS
rss:
weight: 64
url: /index.xml
title: RSS
newtab: true
icon:
class: fas fa-rss fa-fw

674
themes/notrack/LICENSE.md Normal file
View File

@@ -0,0 +1,674 @@
GNU GENERAL PUBLIC LICENSE
Version 3, 29 June 2007
Copyright (C) 2007 Free Software Foundation, Inc. <https://fsf.org/>
Everyone is permitted to copy and distribute verbatim copies
of this license document, but changing it is not allowed.
Preamble
The GNU General Public License is a free, copyleft license for
software and other kinds of works.
The licenses for most software and other practical works are designed
to take away your freedom to share and change the works. By contrast,
the GNU General Public License is intended to guarantee your freedom to
share and change all versions of a program--to make sure it remains free
software for all its users. We, the Free Software Foundation, use the
GNU General Public License for most of our software; it applies also to
any other work released this way by its authors. You can apply it to
your programs, too.
When we speak of free software, we are referring to freedom, not
price. Our General Public Licenses are designed to make sure that you
have the freedom to distribute copies of free software (and charge for
them if you wish), that you receive source code or can get it if you
want it, that you can change the software or use pieces of it in new
free programs, and that you know you can do these things.
To protect your rights, we need to prevent others from denying you
these rights or asking you to surrender the rights. Therefore, you have
certain responsibilities if you distribute copies of the software, or if
you modify it: responsibilities to respect the freedom of others.
For example, if you distribute copies of such a program, whether
gratis or for a fee, you must pass on to the recipients the same
freedoms that you received. You must make sure that they, too, receive
or can get the source code. And you must show them these terms so they
know their rights.
Developers that use the GNU GPL protect your rights with two steps:
(1) assert copyright on the software, and (2) offer you this License
giving you legal permission to copy, distribute and/or modify it.
For the developers' and authors' protection, the GPL clearly explains
that there is no warranty for this free software. For both users' and
authors' sake, the GPL requires that modified versions be marked as
changed, so that their problems will not be attributed erroneously to
authors of previous versions.
Some devices are designed to deny users access to install or run
modified versions of the software inside them, although the manufacturer
can do so. This is fundamentally incompatible with the aim of
protecting users' freedom to change the software. The systematic
pattern of such abuse occurs in the area of products for individuals to
use, which is precisely where it is most unacceptable. Therefore, we
have designed this version of the GPL to prohibit the practice for those
products. If such problems arise substantially in other domains, we
stand ready to extend this provision to those domains in future versions
of the GPL, as needed to protect the freedom of users.
Finally, every program is threatened constantly by software patents.
States should not allow patents to restrict development and use of
software on general-purpose computers, but in those that do, we wish to
avoid the special danger that patents applied to a free program could
make it effectively proprietary. To prevent this, the GPL assures that
patents cannot be used to render the program non-free.
The precise terms and conditions for copying, distribution and
modification follow.
TERMS AND CONDITIONS
0. Definitions.
"This License" refers to version 3 of the GNU General Public License.
"Copyright" also means copyright-like laws that apply to other kinds of
works, such as semiconductor masks.
"The Program" refers to any copyrightable work licensed under this
License. Each licensee is addressed as "you". "Licensees" and
"recipients" may be individuals or organizations.
To "modify" a work means to copy from or adapt all or part of the work
in a fashion requiring copyright permission, other than the making of an
exact copy. The resulting work is called a "modified version" of the
earlier work or a work "based on" the earlier work.
A "covered work" means either the unmodified Program or a work based
on the Program.
To "propagate" a work means to do anything with it that, without
permission, would make you directly or secondarily liable for
infringement under applicable copyright law, except executing it on a
computer or modifying a private copy. Propagation includes copying,
distribution (with or without modification), making available to the
public, and in some countries other activities as well.
To "convey" a work means any kind of propagation that enables other
parties to make or receive copies. Mere interaction with a user through
a computer network, with no transfer of a copy, is not conveying.
An interactive user interface displays "Appropriate Legal Notices"
to the extent that it includes a convenient and prominently visible
feature that (1) displays an appropriate copyright notice, and (2)
tells the user that there is no warranty for the work (except to the
extent that warranties are provided), that licensees may convey the
work under this License, and how to view a copy of this License. If
the interface presents a list of user commands or options, such as a
menu, a prominent item in the list meets this criterion.
1. Source Code.
The "source code" for a work means the preferred form of the work
for making modifications to it. "Object code" means any non-source
form of a work.
A "Standard Interface" means an interface that either is an official
standard defined by a recognized standards body, or, in the case of
interfaces specified for a particular programming language, one that
is widely used among developers working in that language.
The "System Libraries" of an executable work include anything, other
than the work as a whole, that (a) is included in the normal form of
packaging a Major Component, but which is not part of that Major
Component, and (b) serves only to enable use of the work with that
Major Component, or to implement a Standard Interface for which an
implementation is available to the public in source code form. A
"Major Component", in this context, means a major essential component
(kernel, window system, and so on) of the specific operating system
(if any) on which the executable work runs, or a compiler used to
produce the work, or an object code interpreter used to run it.
The "Corresponding Source" for a work in object code form means all
the source code needed to generate, install, and (for an executable
work) run the object code and to modify the work, including scripts to
control those activities. However, it does not include the work's
System Libraries, or general-purpose tools or generally available free
programs which are used unmodified in performing those activities but
which are not part of the work. For example, Corresponding Source
includes interface definition files associated with source files for
the work, and the source code for shared libraries and dynamically
linked subprograms that the work is specifically designed to require,
such as by intimate data communication or control flow between those
subprograms and other parts of the work.
The Corresponding Source need not include anything that users
can regenerate automatically from other parts of the Corresponding
Source.
The Corresponding Source for a work in source code form is that
same work.
2. Basic Permissions.
All rights granted under this License are granted for the term of
copyright on the Program, and are irrevocable provided the stated
conditions are met. This License explicitly affirms your unlimited
permission to run the unmodified Program. The output from running a
covered work is covered by this License only if the output, given its
content, constitutes a covered work. This License acknowledges your
rights of fair use or other equivalent, as provided by copyright law.
You may make, run and propagate covered works that you do not
convey, without conditions so long as your license otherwise remains
in force. You may convey covered works to others for the sole purpose
of having them make modifications exclusively for you, or provide you
with facilities for running those works, provided that you comply with
the terms of this License in conveying all material for which you do
not control copyright. Those thus making or running the covered works
for you must do so exclusively on your behalf, under your direction
and control, on terms that prohibit them from making any copies of
your copyrighted material outside their relationship with you.
Conveying under any other circumstances is permitted solely under
the conditions stated below. Sublicensing is not allowed; section 10
makes it unnecessary.
3. Protecting Users' Legal Rights From Anti-Circumvention Law.
No covered work shall be deemed part of an effective technological
measure under any applicable law fulfilling obligations under article
11 of the WIPO copyright treaty adopted on 20 December 1996, or
similar laws prohibiting or restricting circumvention of such
measures.
When you convey a covered work, you waive any legal power to forbid
circumvention of technological measures to the extent such circumvention
is effected by exercising rights under this License with respect to
the covered work, and you disclaim any intention to limit operation or
modification of the work as a means of enforcing, against the work's
users, your or third parties' legal rights to forbid circumvention of
technological measures.
4. Conveying Verbatim Copies.
You may convey verbatim copies of the Program's source code as you
receive it, in any medium, provided that you conspicuously and
appropriately publish on each copy an appropriate copyright notice;
keep intact all notices stating that this License and any
non-permissive terms added in accord with section 7 apply to the code;
keep intact all notices of the absence of any warranty; and give all
recipients a copy of this License along with the Program.
You may charge any price or no price for each copy that you convey,
and you may offer support or warranty protection for a fee.
5. Conveying Modified Source Versions.
You may convey a work based on the Program, or the modifications to
produce it from the Program, in the form of source code under the
terms of section 4, provided that you also meet all of these conditions:
a) The work must carry prominent notices stating that you modified
it, and giving a relevant date.
b) The work must carry prominent notices stating that it is
released under this License and any conditions added under section
7. This requirement modifies the requirement in section 4 to
"keep intact all notices".
c) You must license the entire work, as a whole, under this
License to anyone who comes into possession of a copy. This
License will therefore apply, along with any applicable section 7
additional terms, to the whole of the work, and all its parts,
regardless of how they are packaged. This License gives no
permission to license the work in any other way, but it does not
invalidate such permission if you have separately received it.
d) If the work has interactive user interfaces, each must display
Appropriate Legal Notices; however, if the Program has interactive
interfaces that do not display Appropriate Legal Notices, your
work need not make them do so.
A compilation of a covered work with other separate and independent
works, which are not by their nature extensions of the covered work,
and which are not combined with it such as to form a larger program,
in or on a volume of a storage or distribution medium, is called an
"aggregate" if the compilation and its resulting copyright are not
used to limit the access or legal rights of the compilation's users
beyond what the individual works permit. Inclusion of a covered work
in an aggregate does not cause this License to apply to the other
parts of the aggregate.
6. Conveying Non-Source Forms.
You may convey a covered work in object code form under the terms
of sections 4 and 5, provided that you also convey the
machine-readable Corresponding Source under the terms of this License,
in one of these ways:
a) Convey the object code in, or embodied in, a physical product
(including a physical distribution medium), accompanied by the
Corresponding Source fixed on a durable physical medium
customarily used for software interchange.
b) Convey the object code in, or embodied in, a physical product
(including a physical distribution medium), accompanied by a
written offer, valid for at least three years and valid for as
long as you offer spare parts or customer support for that product
model, to give anyone who possesses the object code either (1) a
copy of the Corresponding Source for all the software in the
product that is covered by this License, on a durable physical
medium customarily used for software interchange, for a price no
more than your reasonable cost of physically performing this
conveying of source, or (2) access to copy the
Corresponding Source from a network server at no charge.
c) Convey individual copies of the object code with a copy of the
written offer to provide the Corresponding Source. This
alternative is allowed only occasionally and noncommercially, and
only if you received the object code with such an offer, in accord
with subsection 6b.
d) Convey the object code by offering access from a designated
place (gratis or for a charge), and offer equivalent access to the
Corresponding Source in the same way through the same place at no
further charge. You need not require recipients to copy the
Corresponding Source along with the object code. If the place to
copy the object code is a network server, the Corresponding Source
may be on a different server (operated by you or a third party)
that supports equivalent copying facilities, provided you maintain
clear directions next to the object code saying where to find the
Corresponding Source. Regardless of what server hosts the
Corresponding Source, you remain obligated to ensure that it is
available for as long as needed to satisfy these requirements.
e) Convey the object code using peer-to-peer transmission, provided
you inform other peers where the object code and Corresponding
Source of the work are being offered to the general public at no
charge under subsection 6d.
A separable portion of the object code, whose source code is excluded
from the Corresponding Source as a System Library, need not be
included in conveying the object code work.
A "User Product" is either (1) a "consumer product", which means any
tangible personal property which is normally used for personal, family,
or household purposes, or (2) anything designed or sold for incorporation
into a dwelling. In determining whether a product is a consumer product,
doubtful cases shall be resolved in favor of coverage. For a particular
product received by a particular user, "normally used" refers to a
typical or common use of that class of product, regardless of the status
of the particular user or of the way in which the particular user
actually uses, or expects or is expected to use, the product. A product
is a consumer product regardless of whether the product has substantial
commercial, industrial or non-consumer uses, unless such uses represent
the only significant mode of use of the product.
"Installation Information" for a User Product means any methods,
procedures, authorization keys, or other information required to install
and execute modified versions of a covered work in that User Product from
a modified version of its Corresponding Source. The information must
suffice to ensure that the continued functioning of the modified object
code is in no case prevented or interfered with solely because
modification has been made.
If you convey an object code work under this section in, or with, or
specifically for use in, a User Product, and the conveying occurs as
part of a transaction in which the right of possession and use of the
User Product is transferred to the recipient in perpetuity or for a
fixed term (regardless of how the transaction is characterized), the
Corresponding Source conveyed under this section must be accompanied
by the Installation Information. But this requirement does not apply
if neither you nor any third party retains the ability to install
modified object code on the User Product (for example, the work has
been installed in ROM).
The requirement to provide Installation Information does not include a
requirement to continue to provide support service, warranty, or updates
for a work that has been modified or installed by the recipient, or for
the User Product in which it has been modified or installed. Access to a
network may be denied when the modification itself materially and
adversely affects the operation of the network or violates the rules and
protocols for communication across the network.
Corresponding Source conveyed, and Installation Information provided,
in accord with this section must be in a format that is publicly
documented (and with an implementation available to the public in
source code form), and must require no special password or key for
unpacking, reading or copying.
7. Additional Terms.
"Additional permissions" are terms that supplement the terms of this
License by making exceptions from one or more of its conditions.
Additional permissions that are applicable to the entire Program shall
be treated as though they were included in this License, to the extent
that they are valid under applicable law. If additional permissions
apply only to part of the Program, that part may be used separately
under those permissions, but the entire Program remains governed by
this License without regard to the additional permissions.
When you convey a copy of a covered work, you may at your option
remove any additional permissions from that copy, or from any part of
it. (Additional permissions may be written to require their own
removal in certain cases when you modify the work.) You may place
additional permissions on material, added by you to a covered work,
for which you have or can give appropriate copyright permission.
Notwithstanding any other provision of this License, for material you
add to a covered work, you may (if authorized by the copyright holders of
that material) supplement the terms of this License with terms:
a) Disclaiming warranty or limiting liability differently from the
terms of sections 15 and 16 of this License; or
b) Requiring preservation of specified reasonable legal notices or
author attributions in that material or in the Appropriate Legal
Notices displayed by works containing it; or
c) Prohibiting misrepresentation of the origin of that material, or
requiring that modified versions of such material be marked in
reasonable ways as different from the original version; or
d) Limiting the use for publicity purposes of names of licensors or
authors of the material; or
e) Declining to grant rights under trademark law for use of some
trade names, trademarks, or service marks; or
f) Requiring indemnification of licensors and authors of that
material by anyone who conveys the material (or modified versions of
it) with contractual assumptions of liability to the recipient, for
any liability that these contractual assumptions directly impose on
those licensors and authors.
All other non-permissive additional terms are considered "further
restrictions" within the meaning of section 10. If the Program as you
received it, or any part of it, contains a notice stating that it is
governed by this License along with a term that is a further
restriction, you may remove that term. If a license document contains
a further restriction but permits relicensing or conveying under this
License, you may add to a covered work material governed by the terms
of that license document, provided that the further restriction does
not survive such relicensing or conveying.
If you add terms to a covered work in accord with this section, you
must place, in the relevant source files, a statement of the
additional terms that apply to those files, or a notice indicating
where to find the applicable terms.
Additional terms, permissive or non-permissive, may be stated in the
form of a separately written license, or stated as exceptions;
the above requirements apply either way.
8. Termination.
You may not propagate or modify a covered work except as expressly
provided under this License. Any attempt otherwise to propagate or
modify it is void, and will automatically terminate your rights under
this License (including any patent licenses granted under the third
paragraph of section 11).
However, if you cease all violation of this License, then your
license from a particular copyright holder is reinstated (a)
provisionally, unless and until the copyright holder explicitly and
finally terminates your license, and (b) permanently, if the copyright
holder fails to notify you of the violation by some reasonable means
prior to 60 days after the cessation.
Moreover, your license from a particular copyright holder is
reinstated permanently if the copyright holder notifies you of the
violation by some reasonable means, this is the first time you have
received notice of violation of this License (for any work) from that
copyright holder, and you cure the violation prior to 30 days after
your receipt of the notice.
Termination of your rights under this section does not terminate the
licenses of parties who have received copies or rights from you under
this License. If your rights have been terminated and not permanently
reinstated, you do not qualify to receive new licenses for the same
material under section 10.
9. Acceptance Not Required for Having Copies.
You are not required to accept this License in order to receive or
run a copy of the Program. Ancillary propagation of a covered work
occurring solely as a consequence of using peer-to-peer transmission
to receive a copy likewise does not require acceptance. However,
nothing other than this License grants you permission to propagate or
modify any covered work. These actions infringe copyright if you do
not accept this License. Therefore, by modifying or propagating a
covered work, you indicate your acceptance of this License to do so.
10. Automatic Licensing of Downstream Recipients.
Each time you convey a covered work, the recipient automatically
receives a license from the original licensors, to run, modify and
propagate that work, subject to this License. You are not responsible
for enforcing compliance by third parties with this License.
An "entity transaction" is a transaction transferring control of an
organization, or substantially all assets of one, or subdividing an
organization, or merging organizations. If propagation of a covered
work results from an entity transaction, each party to that
transaction who receives a copy of the work also receives whatever
licenses to the work the party's predecessor in interest had or could
give under the previous paragraph, plus a right to possession of the
Corresponding Source of the work from the predecessor in interest, if
the predecessor has it or can get it with reasonable efforts.
You may not impose any further restrictions on the exercise of the
rights granted or affirmed under this License. For example, you may
not impose a license fee, royalty, or other charge for exercise of
rights granted under this License, and you may not initiate litigation
(including a cross-claim or counterclaim in a lawsuit) alleging that
any patent claim is infringed by making, using, selling, offering for
sale, or importing the Program or any portion of it.
11. Patents.
A "contributor" is a copyright holder who authorizes use under this
License of the Program or a work on which the Program is based. The
work thus licensed is called the contributor's "contributor version".
A contributor's "essential patent claims" are all patent claims
owned or controlled by the contributor, whether already acquired or
hereafter acquired, that would be infringed by some manner, permitted
by this License, of making, using, or selling its contributor version,
but do not include claims that would be infringed only as a
consequence of further modification of the contributor version. For
purposes of this definition, "control" includes the right to grant
patent sublicenses in a manner consistent with the requirements of
this License.
Each contributor grants you a non-exclusive, worldwide, royalty-free
patent license under the contributor's essential patent claims, to
make, use, sell, offer for sale, import and otherwise run, modify and
propagate the contents of its contributor version.
In the following three paragraphs, a "patent license" is any express
agreement or commitment, however denominated, not to enforce a patent
(such as an express permission to practice a patent or covenant not to
sue for patent infringement). To "grant" such a patent license to a
party means to make such an agreement or commitment not to enforce a
patent against the party.
If you convey a covered work, knowingly relying on a patent license,
and the Corresponding Source of the work is not available for anyone
to copy, free of charge and under the terms of this License, through a
publicly available network server or other readily accessible means,
then you must either (1) cause the Corresponding Source to be so
available, or (2) arrange to deprive yourself of the benefit of the
patent license for this particular work, or (3) arrange, in a manner
consistent with the requirements of this License, to extend the patent
license to downstream recipients. "Knowingly relying" means you have
actual knowledge that, but for the patent license, your conveying the
covered work in a country, or your recipient's use of the covered work
in a country, would infringe one or more identifiable patents in that
country that you have reason to believe are valid.
If, pursuant to or in connection with a single transaction or
arrangement, you convey, or propagate by procuring conveyance of, a
covered work, and grant a patent license to some of the parties
receiving the covered work authorizing them to use, propagate, modify
or convey a specific copy of the covered work, then the patent license
you grant is automatically extended to all recipients of the covered
work and works based on it.
A patent license is "discriminatory" if it does not include within
the scope of its coverage, prohibits the exercise of, or is
conditioned on the non-exercise of one or more of the rights that are
specifically granted under this License. You may not convey a covered
work if you are a party to an arrangement with a third party that is
in the business of distributing software, under which you make payment
to the third party based on the extent of your activity of conveying
the work, and under which the third party grants, to any of the
parties who would receive the covered work from you, a discriminatory
patent license (a) in connection with copies of the covered work
conveyed by you (or copies made from those copies), or (b) primarily
for and in connection with specific products or compilations that
contain the covered work, unless you entered into that arrangement,
or that patent license was granted, prior to 28 March 2007.
Nothing in this License shall be construed as excluding or limiting
any implied license or other defenses to infringement that may
otherwise be available to you under applicable patent law.
12. No Surrender of Others' Freedom.
If conditions are imposed on you (whether by court order, agreement or
otherwise) that contradict the conditions of this License, they do not
excuse you from the conditions of this License. If you cannot convey a
covered work so as to satisfy simultaneously your obligations under this
License and any other pertinent obligations, then as a consequence you may
not convey it at all. For example, if you agree to terms that obligate you
to collect a royalty for further conveying from those to whom you convey
the Program, the only way you could satisfy both those terms and this
License would be to refrain entirely from conveying the Program.
13. Use with the GNU Affero General Public License.
Notwithstanding any other provision of this License, you have
permission to link or combine any covered work with a work licensed
under version 3 of the GNU Affero General Public License into a single
combined work, and to convey the resulting work. The terms of this
License will continue to apply to the part which is the covered work,
but the special requirements of the GNU Affero General Public License,
section 13, concerning interaction through a network will apply to the
combination as such.
14. Revised Versions of this License.
The Free Software Foundation may publish revised and/or new versions of
the GNU General Public License from time to time. Such new versions will
be similar in spirit to the present version, but may differ in detail to
address new problems or concerns.
Each version is given a distinguishing version number. If the
Program specifies that a certain numbered version of the GNU General
Public License "or any later version" applies to it, you have the
option of following the terms and conditions either of that numbered
version or of any later version published by the Free Software
Foundation. If the Program does not specify a version number of the
GNU General Public License, you may choose any version ever published
by the Free Software Foundation.
If the Program specifies that a proxy can decide which future
versions of the GNU General Public License can be used, that proxy's
public statement of acceptance of a version permanently authorizes you
to choose that version for the Program.
Later license versions may give you additional or different
permissions. However, no additional obligations are imposed on any
author or copyright holder as a result of your choosing to follow a
later version.
15. Disclaimer of Warranty.
THERE IS NO WARRANTY FOR THE PROGRAM, TO THE EXTENT PERMITTED BY
APPLICABLE LAW. EXCEPT WHEN OTHERWISE STATED IN WRITING THE COPYRIGHT
HOLDERS AND/OR OTHER PARTIES PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY
OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO,
THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR
PURPOSE. THE ENTIRE RISK AS TO THE QUALITY AND PERFORMANCE OF THE PROGRAM
IS WITH YOU. SHOULD THE PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF
ALL NECESSARY SERVICING, REPAIR OR CORRECTION.
16. Limitation of Liability.
IN NO EVENT UNLESS REQUIRED BY APPLICABLE LAW OR AGREED TO IN WRITING
WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MODIFIES AND/OR CONVEYS
THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES, INCLUDING ANY
GENERAL, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF THE
USE OR INABILITY TO USE THE PROGRAM (INCLUDING BUT NOT LIMITED TO LOSS OF
DATA OR DATA BEING RENDERED INACCURATE OR LOSSES SUSTAINED BY YOU OR THIRD
PARTIES OR A FAILURE OF THE PROGRAM TO OPERATE WITH ANY OTHER PROGRAMS),
EVEN IF SUCH HOLDER OR OTHER PARTY HAS BEEN ADVISED OF THE POSSIBILITY OF
SUCH DAMAGES.
17. Interpretation of Sections 15 and 16.
If the disclaimer of warranty and limitation of liability provided
above cannot be given local legal effect according to their terms,
reviewing courts shall apply local law that most closely approximates
an absolute waiver of all civil liability in connection with the
Program, unless a warranty or assumption of liability accompanies a
copy of the Program in return for a fee.
END OF TERMS AND CONDITIONS
How to Apply These Terms to Your New Programs
If you develop a new program, and you want it to be of the greatest
possible use to the public, the best way to achieve this is to make it
free software which everyone can redistribute and change under these terms.
To do so, attach the following notices to the program. It is safest
to attach them to the start of each source file to most effectively
state the exclusion of warranty; and each file should have at least
the "copyright" line and a pointer to where the full notice is found.
<one line to give the program's name and a brief idea of what it does.>
Copyright (C) <year> <name of author>
This program is free software: you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation, either version 3 of the License, or
(at your option) any later version.
This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with this program. If not, see <https://www.gnu.org/licenses/>.
Also add information on how to contact you by electronic and paper mail.
If the program does terminal interaction, make it output a short
notice like this when it starts in an interactive mode:
<program> Copyright (C) <year> <name of author>
This program comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
This is free software, and you are welcome to redistribute it
under certain conditions; type `show c' for details.
The hypothetical commands `show w' and `show c' should show the appropriate
parts of the General Public License. Of course, your program's commands
might be different; for a GUI interface, you would use an "about box".
You should also get your employer (if you work as a programmer) or school,
if any, to sign a "copyright disclaimer" for the program, if necessary.
For more information on this, and how to apply and follow the GNU GPL, see
<https://www.gnu.org/licenses/>.
The GNU General Public License does not permit incorporating your program
into proprietary programs. If your program is a subroutine library, you
may consider it more useful to permit linking proprietary applications with
the library. If this is what you want to do, use the GNU Lesser General
Public License instead of this License. But first, please read
<https://www.gnu.org/licenses/why-not-lgpl.html>.

492
themes/notrack/README.md Normal file
View File

@@ -0,0 +1,492 @@
# Notrack
An original, minimal theme with a focus on self-sufficiency and
decentralization. By default, Notrack does not rely on any third parties
to serve your website. The only exception is Disqus comments, which are
not used by default (see [Adding
comments](#user-content-adding-comments) below).
# Table of contents
* [Notrack](#user-content-notrack)
* [Table of contents](#user-content-table-of-contents)
* [Screenshot](#user-content-screenshot)
* [Example site `config`](#user-content-example-site-config)
* [Shortcodes](#user-content-shortcodes)
* [User CSS](#user-content-user-css)
* [Navigation bar](#user-content-navigation-bar)
* [How to add a page to the navigation bar](#user-content-how-to-add-a-page-to-the-navigation-bar)
* [How to add a page to drop down menu](#user-content-how-to-add-a-page-to-drop-down-menu)
* [How tos](#user-content-how-tos)
* [How to create a home page](#user-content-how-to-create-a-home-page)
* [How to create a blog](#user-content-how-to-create-a-blog)
* [Adding comments](#user-content-adding-comments)
* [How to create a gallery](#user-content-how-to-create-a-gallery)
* [How to create a resume](#user-content-how-to-create-a-resume)
* [How to display social links](#user-content-how-to-display-social-links)
* [Other projects used in this theme](#user-content-other-projects-used-in-this-theme)
* [Contribution](#user-content-contribution)
# Screenshot
![Screenshot of the
theme](https://raw.githubusercontent.com/gevhaz/hugo-theme-notrack/master/images/screenshot.png)
# Example site `config`
Here is a working `config.yaml`:
```
baseURL = "http://example.org/"
languageCode = "en-us"
title = "Lawyer Hugo Grotius"
theme = "notrack"
newContentEditor = "nvim"
mainSections = ["blog"]
# disqusShortname = "example"
paginate = 4
[params]
author = "Hugo de Groot"
siteHeading = "Hugo Grotius" # defaults to author
showBlogLatest = true
mainSections = ["blog"]
showTaxonomyLinks = false
nBlogLatest = 4 # number of blog post om the home page
blogLatestHeading = "My writing"
[params.social]
github = "example"
linkedin = "example"
email = "example@example.com"
mastodon = "example"
medium = "example"
keybase = "example"
[taxonomies]
year = "year"
month = "month"
tags = "tags"
categories = "categories"
[permalinks]
blog = "/blog/:year/:month/:slug"
```
# Shortcodes
| Category | Shortcode | Description |
| :--- | :--- | :--- |
| **Contact info** | contact-box | Displays contact info set in params.social |
| | social | Displays contact info set in params.social |
| **Photo Gallery** | gallery-category | Container for gallery-photo shortcodes |
| | gallery-modal | HTML to allow for full page view of gallery photos |
| | gallery-photo | Include a photo in a gallery |
| | gallery-script | Script to allow for full page view of gallery photos |
| **General** | image | Image for use in any page. See example in [How to create a blog](#user-content-how-to-create-a-blog) |
| | video | Similar to an ordinary <video> html tag but with a CSS class to make it look good in posts |
| | rawhtml | For including raw html without the global unsafe option for Goldmark |
| **Resume** | container | Container for resume shortcodes |
| | resume-entry | One entry in a resume (e.g. a university degree) |
| | resume-section | One section in resume (e.g. "Education") |
| | resume-subcategory | Creates a heading within a section of the resume |
Most of the shortcodes are explained in more detail in their respective
sections below. I explain the other two here.
`rawhtml` can be used like this:
```
{{< rawhtml >}}<p>A paragraph</p>{{< /rawhtml >}}
```
This allows you to use html to create elements that you can't create
with just markdown without allowing unsafe html in the site `config`.
I'm not a security expert, and there might be a good reason why unsafe HTML
is disabled by default. If you think this shortcode shouldn't be part of
the theme, feel free to open an issue and say why.
The `video` shortcode basically just creates a HTML `<video>` tag with a
class that I've added some styling for. Use it like this:
```
{{< video src="your_video.mp4" type="video/mp4" preload="auto" >}}
```
Your video needs to be in the `static` folder or a subfolder of it such
as "video" (in which case you'd add the subfolder in the `src`
parameter.
## User CSS
You can add your own CSS by creating a file `assets/css/userstyles.css`. The
theme will automatically pick it up.
## Navigation bar
### How to add a page to the navigation bar
Add it to `main` menu in the front matter of the page:
```
---
menu:
main:
title: "Contact"
weight: 100
---
```
Don't use the site `config` to add menus because then the highlighting
of active tabs might not work (at least not if drop-down menus are involved).
### How to add a page to drop down menu
Quick instruction: Set it's `parent` parameter to one of the menus in
`main`.
Instructions with example:
1. Create the top-level menu in config.yaml or your equivalent. An
example where the top-level menu doesn't correspond to a real page
(url is #) and is just there to hold the drop-down menu:
```
menu:
main:
- identifier: "about-me"
name: "About Me"
url: "#"
weight: 50
```
If you want to add pages to an already existing menu item, you can skip this
step and just use that page as a parent in step 2.
2. In the front matter of the page you want to add, put the following:
```
menu:
main:
title: <What you want the name of the menu to be>
parent: "about-me"
weight: <Lower numbers will appear higher up>
```
# How tos
## How to create a home page
The first thing you will want to do is set up the home page of the website.
Create `/content/_index.md` (`hugo new _index.md`). This could contain a short
introduction of what is on the website or of yourself. A shortcode that can be
useful here is `image`, which adds an image with an optional frame. You can set
the width with the `width` option. Example usage:
```
{{< image frame="true" width="11em" src="/img/profile-picture.jpg"
alt="Picture of me" >}}
```
`frame="true"` adds a frame around the picture. You can also add a caption. See
further instructions in [How to create a
blog](#user-content-how-to-create-a-blog).
At this point you should also set the title for the web site, your name
and the text in the header, if you want it to be different from your
name. Example entries in `config.yaml`:
```
title: "My New Hugo Site"
params:
author: "John Doe"
siteHeading: "a header title"
```
If you don't want to show the latest posts from your blog at the bottom
of the home page, set `showBlogLatest` to false in your site `config`.
You may also want to change the number of posts shown (default: 3) and
the heading above it (default "Latest from the blog") In config.yaml, it
would look like this:
```
params:
showBlogLatest: true
blogLatestHeading: "Latests posts"
nBlogLatest: 6
```
An alternative way to create the content for the homepage is to have a headless
bundle `content/homepage`. The content of the files in this directory will be
populate the the top of the homepage, like in the Hugo Basic Example.
## How to create a blog
1. Add some posts with e.g. `hugo new blog/post-1.md` etc.
2. `hugo new blog/_index.md` and create the blog menu item in the front
matter:
```
---
menu:
main:
identifier: "blog"
name: "Blog"
weight: <lower number than your other menus for more leftward
placement>
---
```
3. (Optional) Create a drop-down menu with links to tags, categories
and archive by creating pages in the style of `hugo new
tags/_index.md`. It doesn't need any content at all, just create a
front matter where you add it to the main menu with the `identifier`
of your blog menu entry as parent:
```
---
menu:
main:
name: "All Tags"
parent: "blog"
weight: <lower number than your other menus for more upward
placement>
---
```
In the case of archive, you may also need to set the layout to
archives in `_index.md`'s front matter: `layout: archives`.
For those of you who do the third step, there is an option available to
remove the buttons with links to the archive (if you have an archives
page, see step 3), tags and category pages from the top of the blog list
page. Just set the following in your site `config`:
```
params:
showTaxonomyLinks: false
```
Menus in Hugo are a mess to program for a theme but this should work.
It's the method that gives you, the user, the most freedom to choose the
structure of your content folder. There are [other
methods](https://discourse.gohugo.io/t/another-way-to-make-a-menu-item-active/17029)
for theme developers but they would force the user to put all posts in a
folder with a specific name.
If you don't want a drop-down menu for listing categories or tags, just
skip step 3. You can still disable the links to the taxonomy pages. Your
readers can list all posts from a specific category or a tag by clicking
on that category or tag in any post instead, and you can link to
`yourpage.com/categories` from other places too.
You can add images just as for the home page. Available options are those of the
built in `figure` shortcode of Hugo, and additionally:
| Parameter name | Allowed Values |
| :--- | :--- |
| `float` | right/left |
| `frame` | true/false/leave out |
| `wide` | true/false |
| `width` | e.g. 10em, 50%, 70px |
| `height` | e.g. 10em, 50%, 70px |
A difference from the built in shortcode is that width and height are for the
outer `<figure>` element. This allows text to wrap around the picture if you set
the float parameter.
You can also use Hugo's built in short code
[figure](https://gohugo.io/content-management/shortcodes/#figure) (an
example: `{{< figure src="/img/picture.jpg" width="100%" >}}`)
### Adding comments
This theme supports Disqus comments. It goes against the philosophy of
the theme in some sense because it relies on external resources but you
can enable it if you want.
Disqus is implemented the [default Hugo
way](https://gohugo.io/content-management/comments/#add-disqus) so just
add your Disqus Shortname in the site `config` and all blog posts will
have a comments section.
## How to create a gallery
There are four shortcodes for creating a gallery:
* `gallery-category`
* `gallery-photo`
* `gallery-modal`
* `gallery-script`
The first two are used in combination to create the actual gallery. Do
something like the following in one of your pages:
```
{{< gallery-category >}}
{{< gallery-photo fn="<filename of first picture>" caption="<your caption>">}}
{{< gallery-photo fn="<filename of second picture>" caption="<your caption>">}}
{{< gallery-photo fn="<filename of third picture>" caption="<your caption>">}}
{{< gallery-photo fn="<filename of fourth picture>" caption="<your caption>">}}
{{< /gallery-category >}}
```
The pictures should be under `static/img/thumbnails` in your project.
If you want a modal to pop up with a zoomed in version, add the other
two shortcodes at the bottom of your page:
```
{{< gallery-modal >}}
{{< gallery-script >}}
```
And place corresponding full-size images under `static/img/fullsize`.
The file names need to be the same as for the thumbnails.
Thumbnails should of course be small so that your page loads fast and
fullsize should be large enough that they don't look pixelated when
covering the full space of a web browser. One way to resize images is
with (graphicsmagick)[http://www.graphicsmagick.org/]: `gm mogrify
-resize 1920x1920 *.jpg`, which will resize all images in the current
folder to a maximum width/height of 1920 pixels (while maintaining the
aspect ratio).
## How to create a resume
There are some shortcodes that can help you create a resume. These are:
* `container`
* `resume-section`
* `resume-category`
* `resume-entry`
`Container` just creates a <div> element with a specific class.
`resume-section` needs a title which will be shown to the left of it's
content (if it can fit on the screen, otherwise it's on top). Within
this, you put one or more `resume-entry` shortcodes. This
shortcode takes the three parameters `what`, `where` and `when` (see
example usage below). It also takes raw HTML within the shortcode tags.
There is styling for `<p>`s, links, and unordered and ordered lists.
Apart from that, site-wide CSS is used. Example usage:
```
{{< container >}}
{{< resume-section title="About Me" >}}
{{< resume-entry >}}
<p>
Some info about you.
</p>
{{< /resume-entry >}}
{{< /resume-section >}}
{{< resume-section title="Education" >}}
{{< resume-entry what="Bachelor's program of Computer Science"
where="Sidney University"
when="2010–2013">}}
<ol>
<li> Some comment on what skills you learned</li>
<li> Some other comment </li>
</ol>
{{< /resume-entry >}}
{{< /resume-section >}}
{{< /container >}}
```
A tip is that you can also use the `resume-entry` shortcode with
markdown. Just switch use % instead of < and make sure that your
markdown doesn't have any white space in front of it (or all of it will
be interpreted as code):
```
{{% resume-entry what="Bachelor's program of Computer Science"
where="Sidney University"
when="2010–2013" %}}
* Some comment on what skills you learned
* Some other comment
{{% /resume-entry %}}
```
## How to display social links
There is a shortcode for creating a framed area with links to your
profiles called `contact-box`. The thing it does is to put a frame with
links to your social media or other contact info on the rights side of the page, and, if you
want, some text on the left side of the box, outside the frame. Put this
text within the shortcode tags.
You decide what social media to include in your site `config` under
social under params, like this:
```
params:
social:
github: <your github username>
email: <email address>
```
For all available social icons, see the `data/notrack/social.yaml` file. There
are 64 of them. Then, to display the links somewhere on your page, use either
`{{< contact-box >}}` or, for an alternative design, use `{{< social >}}`.
Here is a screenshot with `contact-box` to the right and `social`
at the bottom:
<img src="https://raw.githubusercontent.com/gevhaz/hugo-theme-notrack/master/images/social-links.png" width="40%" alt="Example of social link shortcodes">
For `contact-box`, there are three optional parameters, `float`, `width`
and `height`. This is similar to the `image` shortcode. `Float` makes
text wrap around the box (can be `right` or `left`), and the other two
naturally set the dimensions of the `<div>`, using inline CSS. The
parameters defaults to floating to the right, the width defaults to
`12em`, and the height defaults to `auto`.
# Other projects used in this theme
The theme does not secretly download any resources from other websites
or CDNs. It does, however, make use of a few other projects. These are
included in the theme files, so you'll homepage will serve the
resources.
Some of the fonts under `static/fonts` are parts of the project [GNU
FreeFont](https://www.gnu.org/software/freefont/). They are licenced
under "GPLv3 or later". Licenses are also supposed to be included in the
.woff files themselves. Some of the fonts are edited by me to take up
less space by including fewer characters.
The monospace font in the same directory, used for code in the theme, is
[Mononoki](https://github.com/madmalik/mononoki). It is licensed under
SIL OFL 1.1
([https://scripts.sil.org/OFL](https://scripts.sil.org/OFL)).
The icons used for the `contact-box` and `social` shortcodes are from
[Font Awesome](https://github.com/FortAwesome/Font-Awesome) project.
It's licence is SIL OFL 1.1
([https://scripts.sil.org/OFL](https://scripts.sil.org/OFL)). A HTML
comment is included in the contact-box shortcode to show the licence and
source.
For matching the icons from Font Awesome with names for various social
networking services, I use the
[`social.yml`](https://github.com/dillonzq/LoveIt/blob/master/assets/data/social.yml)
file from the (LoveIt)[https://github.com/dillonzq/LoveIt] theme, which
uses the MIT license. I modified it to use the *Font Awesome Solid* font
for the email icon, because the one in the original file was using the
*Font Awesome Regular* font, which it seems only Pro users of Font
Awesome [can use](https://fontawesome.com/plans). The solid one also
looks better.
All of the images in the example site are in the public domain.
# Contribution
I have tried to test the theme on mobile as well as different screen
sizes. If you find a situation where fonts don't have an appropriate
size or something else looks off, such as styles completely missing or a
page that seems to have the wrong layout, please open an issue. It's
difficult to support every possible scenario, but I will see what I can
do.
If some change could be made or something could be added that is in line
with the style and philosophy of the theme, and it doesn't break anything,
feel free to make a pull request.

9
themes/notrack/archetypes/blog.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: '{{ replace .Name "-" " " | title }}'
date: {{ .Date }}
Tags: []
Categories: []
draft: true
---

8
themes/notrack/archetypes/default.md Normal file
View File

@@ -0,0 +1,8 @@
---
title: '{{ replace .Name "-" " " | title }}'
date: {{ .Date }}
menu:
main:
name:
weight:
---

9
themes/notrack/archetypes/post.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: '{{ replace .Name "-" " " | title }}'
date: {{ .Date }}
Tags: []
Categories: []
draft: true
---

511
themes/notrack/data/notrack/social.yaml Normal file
View File

@@ -0,0 +1,511 @@
# 001: Github
github:
weight: 1
prefix: https://github.com/
title: GitHub
icon:
class: fab fa-github-alt fa-fw
# 002: LinkedIn
linkedin:
weight: 2
prefix: https://linkedin.com/in/
title: LinkedIn
icon:
class: fab fa-linkedin fa-fw
# 003: Twitter
twitter:
weight: 3
prefix: https://twitter.com/
title: Twitter
icon:
class: fab fa-twitter fa-fw
# 004: Instagram
instagram:
weight: 4
prefix: https://www.instagram.com/
title: Instagram
icon:
class: fab fa-instagram fa-fw
# 005: facebook
facebook:
weight: 5
prefix: https://facebook.com/
title: Facebook
icon:
class: fab fa-facebook fa-fw
# 006: Telegram
telegram:
weight: 6
prefix: https://t.me/
title: Telegram
icon:
class: fab fa-telegram-plane fa-fw
# 007: Medium
medium:
weight: 7
prefix: https://medium.com/
title: Medium
icon:
class: fab fa-medium fa-fw
# 008: GitLab
gitlab:
weight: 8
prefix: https://gitlab.com/
title: GitLab
icon:
class: fab fa-gitlab fa-fw
# 009: YouTube Legacy
youtubelegacy:
weight: 9
prefix: https://www.youtube.com/user/
title: YouTube
icon:
class: fab fa-youtube fa-fw
# 010: YouTube Custom
youtubecustom:
weight: 10
prefix: https://www.youtube.com/c/
title: YouTube
icon:
class: fab fa-youtube fa-fw
# 011: YouTube Channel
youtubechannel:
weight: 11
prefix: https://www.youtube.com/channel/
title: YouTube
icon:
class: fab fa-youtube fa-fw
# 012: Tumblr
tumblr:
weight: 12
template: https://%v.tumblr.com/
title: Tumblr
icon:
class: fab fa-tumblr fa-fw
# 013: Quora
quora:
weight: 13
prefix: https://www.quora.com/profile/
title: Quora
icon:
class: fab fa-quora fa-fw
# 014: Keybase
keybase:
weight: 14
prefix: https://keybase.io/
title: Keybase
icon:
class: fab fa-keybase fa-fw
# 015: Pinterest
pinterest:
weight: 15
prefix: https://www.pinterest.com/
title: Pinterest
icon:
class: fab fa-pinterest fa-fw
# 016: Reddit
reddit:
weight: 16
prefix: https://www.reddit.com/user/
title: Reddit
icon:
class: fab fa-reddit fa-fw
# 017: CodePen
codepen:
weight: 17
prefix: https://codepen.io/
title: CodePen
icon:
class: fab fa-codepen fa-fw
# 018: freeCodeCamp
freecodecamp:
weight: 18
prefix: https://freecodecamp.org/
title: freeCodeCamp
icon:
class: fab fa-free-code-camp fa-fw
# 019: Bitbucket
bitbucket:
weight: 19
prefix: https://bitbucket.org/
title: Bitbucket
icon:
class: fab fa-bitbucket fa-fw
# 020: Stack Overflow
stackoverflow:
weight: 20
prefix: https://stackoverflow.com/users/
title: Stack Overflow
icon:
class: fab fa-codepen fa-fw
# 021: 微博
weibo:
weight: 21
prefix: https://weibo.com/
title: 微博
icon:
class: fab fa-weibo fa-fw
# 022: OK.RU
odnoklassniki:
weight: 22
prefix: https://ok.ru/
title: OK.RU
icon:
class: fab fa-odnoklassniki fa-fw
# 023: VK
vk:
weight: 23
prefix: https://vk.com/
title: VK
icon:
class: fab fa-vk fa-fw
# 024: Flickr
flickr:
weight: 24
prefix: https://www.flickr.com/photos/
title: Flickr
icon:
class: fab fa-flickr fa-fw
# 025: Xing
xing:
weight: 25
prefix: https://www.xing.com/profile/
title: Xing
icon:
class: fab fa-xing fa-fw
# 026: Snapchat
snapchat:
weight: 26
prefix: https://www.snapchat.com/add/
title: Snapchat
icon:
class: fab fa-snapchat fa-fw
# 027: SoundCloud
soundcloud:
weight: 27
prefix: https://soundcloud.com/
title: SoundCloud
icon:
class: fab fa-soundcloud fa-fw
# 028: Spotify
spotify:
weight: 28
prefix: https://open.spotify.com/user/
title: Spotify
icon:
class: fab fa-spotify fa-fw
# 029: Bandcamp
bandcamp:
weight: 29
template: https://%v.bandcamp.com/
title: Bandcamp
icon:
class: fab fa-bandcamp fa-fw
# 030: PayPal
paypal:
weight: 30
prefix: https://paypal.me/
title: PayPal
icon:
class: fab fa-paypal fa-fw
# 031: 500px
fivehundredpx:
weight: 31
prefix: https://500px.com/
title: 500px
icon:
class: fab fa-500px fa-fw
# 032: Mix
mix:
weight: 32
prefix: https://mix.com/
title: Mix
icon:
class: fab fa-mix fa-fw
# 033: Goodreads
goodreads:
weight: 33
prefix: https://www.goodreads.com/user/show/
title: Goodreads
icon:
class: fab fa-goodreads fa-fw
# 034: Last.fm
lastfm:
weight: 34
prefix: https://www.last.fm/user/
title: Last.fm
icon:
class: fab fa-lastfm fa-fw
# 035: Foursquare
foursquare:
weight: 35
prefix: https://foursquare.com/
title: Foursquare
icon:
class: fab fa-foursquare fa-fw
# 036: Hacker News
hackernews:
weight: 36
template: https://news.ycombinator.com/user?id=%v
title: Hacker News
icon:
class: fab fa-hacker-news fa-fw
# 037: Kickstarter
kickstarter:
weight: 37
prefix: https://kickstarter.com/profile/
title: Kickstarter
icon:
class: fab fa-kickstarter fa-fw
# 038: Patreon
patreon:
weight: 38
prefix: https://patreon.com/
title: Patreon
icon:
class: fab fa-patreon fa-fw
# 039: Steam
steam:
weight: 39
prefix: https://steamcommunity.com/id/
title: Steam
icon:
class: fab fa-steam fa-fw
# 040: Twitch
twitch:
weight: 40
prefix: https://www.twitch.tv/
title: Twitch
icon:
class: fab fa-twitch fa-fw
# 041: Strava
strava:
weight: 41
prefix: https://www.strava.com/athletes/
title: Strava
icon:
class: fab fa-strava fa-fw
# 042: Skype
skype:
weight: 42
template: "skype:"
title: Skype
icon:
class: fab fa-skype fa-fw
# 043: WhatsApp
whatsapp:
weight: 43
prefix: https://wa.me/
title: WhatsApp
icon:
class: fab fa-whatsapp fa-fw
# 044: 知乎
zhihu:
weight: 44
prefix: https://www.zhihu.com/people/
title: 知乎
icon:
simpleicons: zhihu
# 045: 豆瓣
douban:
weight: 45
prefix: https://www.douban.com/people/
title: 豆瓣
icon:
simpleicons: douban
# 046: Angellist
angellist:
weight: 46
prefix: https://angel.co/
title: Angellist
icon:
class: fab fa-angellist fa-fw
# 047: SlideShare
slideshare:
weight: 47
prefix: https://slideshare.com/
title: SlideShare
icon:
class: fab fa-slideshare fa-fw
# 048: JSFiddle
jsfiddle:
weight: 48
prefix: https://jsfiddle.com/
title: JSFiddle
icon:
class: fab fa-jsfiddle fa-fw
# 049: DeviantArt
deviantart:
weight: 49
template: https://%v.deviantart.com/
title: DeviantArt
icon:
class: fab fa-deviantart fa-fw
# 050: Behance
behance:
weight: 50
prefix: https://behance.net/
title: Behance
icon:
class: fab fa-behance fa-fw
# 051: Dribbble
dribbble:
weight: 51
prefix: https://dribbble.com/
title: Dribbble
icon:
class: fab fa-dribbble fa-fw
# 052: WordPress
wordpress:
weight: 52
template: https://%v.wordpress.com/
title: WordPress
icon:
class: fab fa-wordpress fa-fw
# 053: Vine
vine:
weight: 53
prefix: https://vine.co/
title: Vine
icon:
class: fab fa-vine fa-fw
# 054: Google Scholar
googlescholar:
weight: 54
template: https://scholar.google.com/citations?%v
title: Google Scholar
icon:
simpleicons: googlescholar
# 055: ResearchGate
researchgate:
weight: 55
prefix: https://www.researchgate.net/profile/
title: ResearchGate
icon:
class: fab fa-researchgate fa-fw
# 056: Mastodon
mastodon:
weight: 56
prefix: https://mastodon.social/
title: Mastodon
icon:
class: fab fa-mastodon fa-fw
# 057: Thingiverse
thingiverse:
weight: 57
prefix: https://www.thingiverse.com/
title: Thingiverse
icon:
src: svg/icons/thingiverse.svg
# 058: Dev.To
devto:
weight: 58
prefix: https://dev.to/
title: Dev.To
icon:
class: fab fa-dev fa-fw
# 059: Gitea
gitea:
weight: 59
title: Gitea
icon:
simpleicons: gitea
# 060: XMPP
xmpp:
weight: 60
template: xmpp:%v
title: XMPP
icon:
simpleicons: xmpp
# 061: Matrix
matrix:
weight: 61
prefix: https://matrix.to/#/
title: Matrix
icon:
simpleicons: matrix
# 062: bilibili
bilibili:
weight: 62
prefix: https://space.bilibili.com/
title: bilibili
icon:
src: svg/icons/bilibili.svg
# 063: Email
email:
weight: 63
template: mailto:%v
title: Email
icon:
class: fas fa-envelope fa-fw
# 064: RSS
rss:
weight: 64
url: /index.xml
title: RSS
newtab: true
icon:
class: fas fa-rss fa-fw

3
themes/notrack/exampleSite/.gitmodules vendored Normal file
View File

@@ -0,0 +1,3 @@
[submodule "themes/notrack"]
path = themes/notrack
url = https://github.com/gevhaz/hugo-theme-notrack

6
themes/notrack/exampleSite/archetypes/default.md Normal file
View File

@@ -0,0 +1,6 @@
---
title: "{{ replace .Name "-" " " | title }}"
date: {{ .Date }}
draft: true
---

34
themes/notrack/exampleSite/config.toml Normal file
View File

@@ -0,0 +1,34 @@
baseURL = "http://example.org/"
languageCode = "en-us"
title = "Lawyer Hugo Grotius"
theme = "notrack"
newContentEditor = "nvim"
mainSections = ["blog"]
# disqusShortname = "example"
paginate = 4
[params]
author = "Hugo de Groot"
siteHeading = "Hugo Grotius" # defaults to author
showBlogLatest = true
mainSections = ["blog"]
showTaxonomyLinks = false
nBlogLatest = 4 # number of blog post om the home page
blogLatestHeading = "My writing"
[params.social]
github = "example"
linkedin = "example"
email = "example@example.com"
mastodon = "example"
medium = "example"
keybase = "example"
[taxonomies]
year = "year"
month = "month"
tags = "tags"
categories = "categories"
[permalinks]
blog = "/blog/:year/:month/:slug"

30
themes/notrack/exampleSite/content/_index.md Normal file
View File

@@ -0,0 +1,30 @@
---
title: ""
date: 2020-06-01T16:16:24+02:00
draft: false
menu:
main:
name: "Home"
weight: 1
---
{{<image float="right" width="11em" frame="true" caption="Portrait of me by Michiel Jansz. van Mierevelt" src="img/hugo-portrait.jpg" >}}
Hello, I'm Hugo Grotius and this is my personal page. I'm a Dutch lawyer and
diplomat with experience from academia and government, having published a large
number of books on international law, sometimes even being called the "father"
of this field of study. I have experience working as a diplomat from serving as
the Swedish Ambassdor to France. For a more comprehensive list of my experience,
see the [Resume]({{< ref "resume.md" >}}) tab.
After having been wrongfully convicted of treason in the Netherlands and
being handed a life sentence, I managed to escape with the help of my dear
wife Maria. She brought a chest of books to the prison where I was incarcerated
(nothing out of the ordinary since I am an avid reader) which was then
transported back out of the prison, with the the books replaced by yours truly!
I have a small gallery of works of art depicting me under the [Gallery]({{< ref "hugo-gallery.md" >}}) tab.
I regularly post lorem ipsum om my [Blog]({{< ref "blog/_index.md" >}}), and
there are also examples of how to include images in the theme of the site.
If you want to get in touch, you can find my social media links and email
address under the [Contact]({{< ref "contact.md" >}}) tab.

8
themes/notrack/exampleSite/content/archive/_index.md Normal file
View File

@@ -0,0 +1,8 @@
---
title: 'Archive'
layout: 'archives'
menu:
main:
name: "Archive"
parent: "Blog"
---

11
themes/notrack/exampleSite/content/blog/_index.md Normal file
View File

@@ -0,0 +1,11 @@
---
title: 'Blog'
date: 2020-06-04T23:15:33+02:00
menu:
main:
name: "Blog"
weight: 50
url: "blog"
---

59
themes/notrack/exampleSite/content/blog/id-modi.md Normal file
View File

@@ -0,0 +1,59 @@
---
title: 'Picture Shortcode Test'
date: 2020-06-04T23:30:14+02:00
Tags: [latin, medieval, picture]
Categories: [lorem, theme]
---
# Id Modi
Id modi explicabo non accusantium accusantium. Voluptates laborum est
exercitationem odit voluptate dicta laborum nemo. Dolorum et aliquam qui dolorem
voluptates ducimus voluptatibus. Quia sunt molestiae id ut. Necessitatibus
itaque sed unde sit repellendus sit. Error pariatur deserunt dignissimos saepe
cupiditate beatae.
{{< image frame="true" float="left" width="7em" caption="Nemo animi" src="img/thumbnails/hugo5.jpg" >}}
Illum quae laudantium quia vel facere aliquid earum. Inventore culpa
perspiciatis et veniam et amet distinctio. Facilis expedita doloremque
voluptates nihil et sint commodi et. Et totam iste doloribus et quisquam.
Quaerat veritatis repellendus vel est.
{{< image frame="true" float="right" width="9em" src="img/thumbnails/hugo2.jpg" >}}
Nemo animi expedita voluptas ut. Similique dolores animi aut similique vel ullam
aut. Numquam doloribus temporibus error cupiditate et et quia. Accusamus sunt et
omnis. Rem iure deserunt eaque. Corrupti autem reiciendis et temporibus et sit
ipsa.
Vero necessitatibus quasi id non assumenda saepe quaerat iusto. Assumenda quis
odio est et unde. Cumque necessitatibus aut suscipit sed molestiae. At doloribus
molestiae ut ratione.
Laudantium et perspiciatis error ut rem earum mollitia suscipit. Ut consectetur
voluptatem fugiat illum. Consequuntur quo non nam vitae similique voluptate
occaecati deleniti. Odio numquam sint expedita ratione. Natus magnam nemo enim
enim quasi consequuntur. Consectetur voluptatibus aut perspiciatis sint
similique.
Dignissimos aut sapiente inventore. Vero alias exercitationem sint mollitia
molestias dolorem aspernatur. Qui necessitatibus dolor ab ad a modi porro.
Quae qui ratione velit eaque iusto in omnis. Provident voluptatem qui ab
temporibus porro. Velit magnam vel totam laudantium voluptatem consequatur iste
dolores. Minima quia sapiente expedita dolorem et sit rerum.
Et odio asperiores et. Nesciunt adipisci quod distinctio perspiciatis. Enim
dignissimos error omnis cum rerum. Architecto est cumque sed. Optio et
perferendis et voluptatem et neque.
{{< image wide="true" caption="Vero necessitatibus" src="img/fullsize/hugo4.jpg" >}}
Adipisci repellat recusandae dolorem quam dolores quae dolor porro. Soluta sint
inventore dolores aut delectus quae. Eius est veniam vel nihil.
Voluptates facilis repudiandae explicabo optio quaerat quis consequuntur. Ullam
aspernatur expedita ea fuga consequuntur sit nam alias. Nisi quia laborum et
error tenetur accusamus aliquam. Harum tempore adipisci mollitia. Molestias
voluptatem consequuntur ipsum. Laboriosam earum voluptas et assumenda nemo qui.

110
themes/notrack/exampleSite/content/blog/lorem.md Normal file
View File

@@ -0,0 +1,110 @@
---
title: "Lorem"
date: 2020-06-01T16:09:23+02:00
draft: false
tags: [latin, dolor, test-tag]
categories: [lorem]
---
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Vestibulum auctor est
nec lorem tristique euismod. Aenean blandit nisi vel massa ullamcorper, at
elementum sem porta. In hac habitasse platea dictumst. Phasellus id sem mi.
Vestibulum efficitur congue metus, nec faucibus elit aliquet a. Vestibulum ante
ipsum primis in faucibus orci luctus et ultrices posuere cubilia curae;
Phasellus placerat nibh at justo elementum, nec aliquam velit faucibus. Nam quis
purus consectetur, fringilla massa id, sodales ipsum. Vivamus quis odio in nibh
ultricies porta id ultricies felis. Morbi sed leo ligula. Phasellus vehicula
blandit mauris id elementum. Cras pharetra sapien id convallis accumsan.
Praesent auctor leo ut pulvinar condimentum. Phasellus eu porta nulla, blandit
vehicula eros.
Etiam dictum quam vitae diam dictum interdum. Sed mattis, purus faucibus
venenatis efficitur, massa magna mollis neque, vitae molestie magna quam quis
odio. Nam congue quam odio, sit amet euismod risus suscipit a. Nam in elementum
dui. Integer sed posuere urna. Aenean a lorem augue. Nam ultricies vitae arcu id
efficitur.
Duis mollis arcu at faucibus fringilla. Proin eu turpis a nisi egestas ultricies
id id justo. Aliquam massa ex, blandit vitae lacus fringilla, consequat varius
sem. Donec dapibus tortor eget leo condimentum, vel rhoncus leo maximus. Aliquam
porttitor ultricies arcu, vel sagittis orci sodales eget. Donec pulvinar mattis
elit a congue. Suspendisse enim est, convallis vitae varius a, pharetra non
arcu. Duis elit eros, suscipit a lorem tempor, pretium imperdiet nulla. Fusce
nisi arcu, dictum eget enim at, efficitur consequat tellus. Maecenas id molestie
leo, eu aliquam risus. Nam molestie, sem et pellentesque viverra, nibh elit
pellentesque mauris, sed blandit risus orci ac magna. Sed neque dui, mattis et
turpis eu, tristique condimentum ante. Cras semper metus nec mattis auctor. Cras
at diam quis ante commodo tempor tincidunt quis leo. Vivamus lacinia ligula
diam, quis pulvinar metus vulputate a. Sed lacus turpis, vehicula ut metus ac,
mollis placerat dui.
Phasellus at turpis quam. Vestibulum hendrerit justo in bibendum luctus. Mauris
volutpat metus purus, vel laoreet felis consectetur at. Suspendisse vulputate
nunc sed commodo hendrerit. Praesent diam neque, rutrum nec nunc et, tempor
placerat nisi. Proin ut nunc a felis iaculis suscipit nec vitae magna.
Suspendisse congue sit amet nisl scelerisque mattis. Nam et sodales lectus,
gravida accumsan libero. Phasellus maximus auctor libero, rhoncus molestie lorem
egestas vel. Vivamus auctor justo in neque iaculis bibendum.
Integer magna tortor, viverra eget feugiat a, consequat non nisi. Nunc ipsum
est, suscipit in suscipit ac, sagittis ac nunc. Phasellus ante tellus, cursus in
congue vel, tincidunt nec magna. Nam placerat, mi quis rhoncus lobortis, enim
neque porta sapien, sit amet vulputate dui magna non metus. Duis blandit nisi
sapien, id varius ex finibus ac. Ut sit amet leo tortor. Suspendisse at
convallis purus.
Ut quis odio ac magna auctor laoreet. Orci varius natoque penatibus et magnis
dis parturient montes, nascetur ridiculus mus. Proin hendrerit quam quis nunc
ultricies dignissim. In tempus, nulla id elementum ultrices, leo tortor
convallis ipsum, vitae elementum arcu est quis velit. Aenean porttitor, mi id
ornare volutpat, nisi nisi pulvinar ipsum, quis pulvinar erat sem vitae massa.
Cras in augue non felis venenatis aliquam nec eget ipsum. Vestibulum aliquam
rhoncus tortor. Nullam sodales felis ut dapibus viverra. Nam et orci suscipit,
posuere nibh eu, scelerisque sem. Curabitur felis dui, fermentum sed est at,
fringilla sollicitudin orci. Integer rhoncus consectetur hendrerit. Etiam magna
purus, faucibus a tellus vel, condimentum pharetra nibh.
Duis faucibus vel purus vel auctor. Proin sed euismod turpis, sit amet finibus
lorem. Ut vel urna a libero fermentum imperdiet. Maecenas vitae nulla vitae sem
semper molestie ut vitae tellus. Nam mattis justo et orci tempor lobortis.
Nullam ut felis convallis lectus egestas gravida in vel est. Nulla facilisi.
Vestibulum imperdiet diam eget felis sagittis posuere. Quisque turpis odio,
lacinia et mollis ac, posuere ac ligula. Suspendisse a purus vulputate,
hendrerit erat ut, ullamcorper nibh. Donec vitae dolor at nulla ornare accumsan.
Ut faucibus commodo urna ut dignissim. Nam luctus, mauris a euismod dictum, dui
est feugiat ligula, non sollicitudin dolor nibh a arcu. Nam tempor quam a ex
rhoncus, a vestibulum justo cursus. In id ligula tempus, dapibus metus ac,
vulputate libero.
Aliquam erat volutpat. Sed ullamcorper dolor magna. Suspendisse aliquam risus
sit amet mi dignissim, quis molestie tellus dignissim. Fusce sed enim sed velit
tristique accumsan eu et neque. Vestibulum volutpat ligula neque, non ultricies
leo vehicula nec. Ut iaculis dui eget lectus viverra, nec pellentesque lectus
facilisis. Nunc id est luctus, bibendum tortor non, consectetur lectus. Cras
quis ex sed leo eleifend vestibulum eget nec lorem. Sed sagittis varius mi in
semper. Etiam fringilla malesuada nisl et consectetur. Phasellus cursus quam non
dignissim aliquam. Nullam posuere dui eget diam rhoncus aliquam. In fermentum
tortor tortor, sit amet maximus libero mattis id. Donec commodo dolor id purus
tincidunt, mattis imperdiet libero varius. Maecenas pretium, massa a consectetur
aliquam, arcu ante laoreet diam, in accumsan metus purus vel leo.
Curabitur euismod sollicitudin eros et hendrerit. Maecenas luctus cursus
gravida. Nam non posuere tortor. Etiam non neque eget nulla euismod condimentum.
Nullam rhoncus in nunc vitae accumsan. Integer ullamcorper ante sed accumsan
pulvinar. Nam posuere dui augue, quis tincidunt velit tempus sed. Ut vel turpis
id purus faucibus sollicitudin. Nullam elementum consectetur nibh non interdum.
Proin pretium a lacus nec cursus. Nunc eros arcu, pellentesque a posuere et,
sodales ac eros. Ut eget orci finibus, aliquet erat sed, dapibus magna.
Aliquam ac eros ac turpis suscipit condimentum. Cras aliquet pharetra imperdiet.
Cras egestas, justo id venenatis ullamcorper, sem nulla sollicitudin augue,
egestas porta metus justo non sem. Vestibulum ullamcorper pulvinar leo, ut
semper ante lobortis vel. Phasellus ut molestie odio. Praesent id turpis
interdum lorem porttitor vulputate. Mauris vulputate ipsum quis cursus sodales.
Fusce a ligula id libero scelerisque volutpat a vitae purus. Vestibulum ante
ipsum primis in faucibus orci luctus et ultrices posuere cubilia curae; Integer
sit amet ipsum quis lacus vehicula tincidunt. Nam sed sollicitudin erat, ut
lobortis justo. Nam velit quam, pharetra ac mi at, pulvinar mattis nisi. Ut in
lorem aliquet, hendrerit lectus vitae, consequat ligula. Sed lectus nibh,
ultrices id vulputate in, tristique nec orci. Vivamus id enim ac quam iaculis
congue. Donec ac orci eu sapien semper euismod.

147
themes/notrack/exampleSite/content/blog/markdown-syntax.md Normal file
View File

@@ -0,0 +1,147 @@
+++
author = "Hugo Authors"
title = "Markdown Syntax Guide"
date = "2019-03-11"
description = "Sample article showcasing basic Markdown syntax and formatting for HTML elements."
tags = [
"markdown",
"css",
"html",
"themes",
]
categories = [
"themes",
"syntax",
]
series = ["Themes Guide"]
aliases = ["migrate-from-jekyl"]
+++
This article offers a sample of basic Markdown syntax that can be used in Hugo content files, also it shows whether basic HTML elements are decorated with CSS in a Hugo theme.
<!--more-->
## Headings
The following HTML `<h1>`—`<h6>` elements represent six levels of section headings. `<h1>` is the highest section level while `<h6>` is the lowest.
# H1
## H2
### H3
#### H4
##### H5
###### H6
## Paragraph
Xerum, quo qui aut unt expliquam qui dolut labo. Aque venitatiusda cum, voluptionse latur sitiae dolessi aut parist aut dollo enim qui voluptate ma dolestendit peritin re plis aut quas inctum laceat est volestemque commosa as cus endigna tectur, offic to cor sequas etum rerum idem sintibus eiur? Quianimin porecus evelectur, cum que nis nust voloribus ratem aut omnimi, sitatur? Quiatem. Nam, omnis sum am facea corem alique molestrunt et eos evelece arcillit ut aut eos eos nus, sin conecerem erum fuga. Ri oditatquam, ad quibus unda veliamenimin cusam et facea ipsamus es exerum sitate dolores editium rerore eost, temped molorro ratiae volorro te reribus dolorer sperchicium faceata tiustia prat.
Itatur? Quiatae cullecum rem ent aut odis in re eossequodi nonsequ idebis ne sapicia is sinveli squiatum, core et que aut hariosam ex eat.
## Blockquotes
The blockquote element represents content that is quoted from another source, optionally with a citation which must be within a `footer` or `cite` element, and optionally with in-line changes such as annotations and abbreviations.
#### Blockquote without attribution
> Tiam, ad mint andaepu dandae nostion secatur sequo quae.
> **Note** that you can use *Markdown syntax* within a blockquote.
#### Blockquote with attribution
> Don't communicate by sharing memory, share memory by communicating.</p>
> — <cite>Rob Pike[^1]</cite>
[^1]: The above quote is excerpted from Rob Pike's [talk](https://www.youtube.com/watch?v=PAAkCSZUG1c) during Gopherfest, November 18, 2015.
## Tables
Tables aren't part of the core Markdown spec, but Hugo supports supports them out-of-the-box.
Name | Age
--------|------
Bob | 27
Alice | 23
#### Inline Markdown within tables
| Inline&nbsp;&nbsp;&nbsp; | Markdown&nbsp;&nbsp;&nbsp; | In&nbsp;&nbsp;&nbsp; | Table |
| ---------- | --------- | ----------------- | ---------- |
| *italics* | **bold** | ~~strikethrough~~&nbsp;&nbsp;&nbsp; | `code` |
## Code Blocks
#### Code block with backticks
```
html
<!DOCTYPE html>
<html lang="en">
<head>
<meta charset="UTF-8">
<title>Example HTML5 Document</title>
</head>
<body>
<p>Test</p>
</body>
</html>
```
#### Code block indented with four spaces
<!DOCTYPE html>
<html lang="en">
<head>
<meta charset="UTF-8">
<title>Example HTML5 Document</title>
</head>
<body>
<p>Test</p>
</body>
</html>
#### Code block with Hugo's internal highlight shortcode
{{< highlight html >}}
<!DOCTYPE html>
<html lang="en">
<head>
<meta charset="UTF-8">
<title>Example HTML5 Document</title>
</head>
<body>
<p>Test</p>
</body>
</html>
{{< /highlight >}}
## List Types
#### Ordered List
1. First item
2. Second item
3. Third item
#### Unordered List
* List item
* Another item
* And another item
#### Nested list
* Item
1. First Sub-item
2. Second Sub-item
## Other Elements — abbr, sub, sup, kbd, mark
<abbr title="Graphics Interchange Format">GIF</abbr> is a bitmap image format.
H<sub>2</sub>O
X<sup>n</sup> + Y<sup>n</sup> = Z<sup>n</sup>
Press <kbd><kbd>CTRL</kbd>+<kbd>ALT</kbd>+<kbd>Delete</kbd></kbd> to end the session.
Most <mark>salamanders</mark> are nocturnal, and hunt for insects, worms, and other small creatures.

42
themes/notrack/exampleSite/content/blog/rich-content.md Normal file
View File

@@ -0,0 +1,42 @@
+++
author = "Hugo Authors"
title = "Rich Content"
date = "2019-03-10"
description = "A brief description of Hugo Shortcodes"
tags = [
"shortcodes",
"privacy",
]
+++
Hugo ships with several [Built-in Shortcodes](https://gohugo.io/content-management/shortcodes/#use-hugo-s-built-in-shortcodes) for rich content, along with a [Privacy Config](https://gohugo.io/about/hugo-and-gdpr/) and a set of Simple Shortcodes that enable static and no-JS versions of various social media embeds.
<!--more-->
---
## Instagram Simple Shortcode
{{< instagram_simple BGvuInzyFAe hidecaption >}}
<br>
---
## YouTube Privacy Enhanced Shortcode
{{< youtube ZJthWmvUzzc >}}
<br>
---
## Twitter Simple Shortcode
{{< twitter_simple 1085870671291310081 >}}
<br>
---
## Vimeo Simple Shortcode
{{< vimeo_simple 48912912 >}}

31
themes/notrack/exampleSite/content/blog/tempora-maxime.md Normal file
View File

@@ -0,0 +1,31 @@
---
title: 'Tempora Maxime'
date: 2020-06-04T23:21:09+02:00
Tags: [latin, test-tag, ipsum]
Categories: [lorem]
---
# Tempora Maxime
Illo quod est aut aperiam ullam. Eum aliquam vel velit hic dolores sunt
molestiae saepe. Est et cupiditate est saepe.
Qui quo beatae minima. Tempora maxime facere praesentium officiis maiores quia.
Quia placeat nihil sint aperiam autem quia recusandae et. In quas nulla cum
fuga. Dolores voluptas quia facere atque omnis rerum corrupti repellendus.
## Facere quod
Voluptatibus neque iure aut doloremque excepturi. Quidem aut unde
magni. Harum qui molestiae ut itaque labore voluptas.
Recusandae repudiandae perferendis sed omnis fugiat aut. Qui qui inventore
aliquam doloribus. Fugit dolorum minima non. Ut eius laudantium quo vero aut
ipsa qui.
## Commodi est
Et ut tempore quos ratione minus sed. Repellendus reprehenderit
minus quia omnis. Praesentium impedit consequatur nihil iusto. Blanditiis qui et
quia dolor nulla repudiandae tenetur harum. Corporis deleniti quae officiis
fugit repellat temporibus explicabo. Quod aliquam iure commodi exercitationem.

9
themes/notrack/exampleSite/content/categories/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "Categories"
date: 2020-06-06T22:48:29+02:00
menu:
main:
name: "All Categories"
parent: "Blog"
---

21
themes/notrack/exampleSite/content/contact.md Normal file
View File

@@ -0,0 +1,21 @@
---
title: "Contact"
date: 2020-06-04T23:03:21+02:00
menu:
main:
name: "Contact"
weight: 255
---
{{< contact-box >}}
To the right you see the `contact-box` shortcode demonstrated and
below is the `social` shortcode. Use which you like more or make your
own.
Repudiandae in pariatur voluptatibus inventore alias. Aut quasi non eos earum
odio maxime quo molestiae. Velit quidem magnam eos odit. Quisquam deleniti
officia quia. Harum dolorem est sed. Voluptas esse culpa molestias
exercitationem libero velit sunt hic.
{{< social >}}

24
themes/notrack/exampleSite/content/hugo-gallery.md Normal file
View File

@@ -0,0 +1,24 @@
---
title: 'Gallery'
date: 2020-06-04T21:53:11+02:00
menu:
main:
name: "Gallery"
weight: 200
---
# What I look like
Here are some pictures of pictures or statues of me, all in the public domain by
either age or by the use of Creative Commons CC0 licence.
{{< gallery-category >}}
{{< gallery-photo fn="hugo1.jpg" caption="Clay figure of me" >}}
{{< gallery-photo fn="hugo2.jpg" caption="Clay bust of me" >}}
{{< gallery-photo fn="hugo4.jpg" caption="Portrait of me as an adult" >}}
{{< gallery-photo fn="hugo5.jpg" caption="Portrait of me as a kid" >}}
{{< gallery-photo fn="hugo3.jpg" caption="Portrait of me getting screwed over by the Orthodox Calvinists" >}}
{{< /gallery-category >}}
{{< gallery-modal >}}
{{< gallery-script >}}

74
themes/notrack/exampleSite/content/resume.md Normal file
View File

@@ -0,0 +1,74 @@
---
title: "Resume"
date: 2020-06-01T17:11:12+02:00
draft: false
menu:
main:
name: "Resume"
weight: 5
---
{{< container >}}
{{% resume-section title="About Me" %}}
My career has been a series of ups and downs, starting out as a child
prodigy, getting involved in religious sectarianism which earned me a
life sentence, which I fortuantely were able to circumvent, followed by
presitigous academic and diplomatic roles and finally by barely surving being
shipwrecked.
{{% /resume-section %}}
{{< resume-section title="Experience" >}}
{{< resume-entry what="Swedish Ambassdor to France"
where="Paris"
when="1634–1645" >}}
<ul>
<li>Appointed directly by Swedish regent Axel Oxelstierna.</li>
<li>Helped negotiate a treaty which led to the end of the Thirty
Years' War.</li>
</ul>
{{< /resume-entry >}}
{{% resume-entry what="Freelance Academic"
when="1621–1631"
where="Mainly working from France" %}}
* I have three major publications from my time in France.
* The most well-received publication was *On the law of war and
peace*, published in Parision press in 1625.
{{% /resume-entry %}}
{{% resume-entry what="Pensionary of Rotterdam"
where="Town Delegation of Rotterdam"
when="1613-1616" %}}
Pensionary is a type of governor role in the Netherlands.
1. I dealt with issues of the freedom of the seas.
3. I led a delegation to England in protest of the English actions, who had
seized Dutch vessels under the claim that they were trespassing on British
sea.
4. While the protest was unsuccessful, the principles I argued for later became
international law.
{{% /resume-entry %}}
{{< /resume-section >}}
{{% resume-section title="Interests" %}}
Latin Elegies
Natural Law
Calvinism
Just Wars
{{% /resume-section %}}
{{< resume-section title="Languages" >}}
{{< resume-category title="Dutch" >}}
{{% resume-entry what="Native Language" %}}
* Hollandish accent
{{% /resume-entry %}}
{{< resume-category title="Latin" >}}
{{% resume-entry what="Private Lessons" when="1588-1598" %}}
{{% /resume-entry %}}
{{< resume-category title="French" >}}
{{% resume-entry what="French Classes" when="1621–1623" where="Ecole de Paris" %}}
{{% /resume-entry %}}
{{< /resume-section >}}
{{< /container >}}

9
themes/notrack/exampleSite/content/tags/_index.md Normal file
View File

@@ -0,0 +1,9 @@
---
title: "Tags"
date: 2020-06-06T22:49:19+02:00
menu:
main:
name: "All Tags"
parent: "Blog"
---

BIN
themes/notrack/exampleSite/static/img/fullsize/hugo1.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 1.5 MiB

BIN
themes/notrack/exampleSite/static/img/fullsize/hugo2.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 2.1 MiB

BIN
themes/notrack/exampleSite/static/img/fullsize/hugo3.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 3.8 MiB

BIN
themes/notrack/exampleSite/static/img/fullsize/hugo4.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 8.1 MiB

BIN
themes/notrack/exampleSite/static/img/fullsize/hugo5.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 529 KiB

BIN
themes/notrack/exampleSite/static/img/hugo-portrait.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 75 KiB

BIN
themes/notrack/exampleSite/static/img/thumbnails/hugo1.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 9.8 KiB

BIN
themes/notrack/exampleSite/static/img/thumbnails/hugo2.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 15 KiB

BIN
themes/notrack/exampleSite/static/img/thumbnails/hugo3.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 19 KiB

BIN
themes/notrack/exampleSite/static/img/thumbnails/hugo4.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 26 KiB

BIN
themes/notrack/exampleSite/static/img/thumbnails/hugo5.jpg Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 47 KiB

BIN
themes/notrack/images/screenshot.png Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 582 KiB

BIN
themes/notrack/images/social-links.png Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 142 KiB

BIN
themes/notrack/images/tn.png Normal file
View File

Binary file not shown.
Side by Side

After

Width:  |  Height:  |  Size: 307 KiB

5
themes/notrack/layouts/404.html Normal file
View File

@@ -0,0 +1,5 @@
{{ define "main" }}
<main>
<p>404: not found</p>
</main>
{{ end }}

29
themes/notrack/layouts/_default/archives.html Normal file
View File

@@ -0,0 +1,29 @@
{{ define "main" }}
<main>
{{- with .Title }}
<h1 class="page-title">{{ . }}</h1>
{{- end }}
{{ with (where site.RegularPages "Type" "in" site.Params.mainSections) }}
{{- $byyear := (where . ".Draft" false).GroupByDate "2006" -}}
{{- range $byyear -}}
<h2>{{ .Key }}</h2>
<ul>
{{ range.Pages }}
<li> <time>{{ .Date.Format "2/1" }}</time>
<span> - </span>
<a href="{{ .Permalink }}">
<span>{{ .Title }}</span>
</a>
</li>
{{ end }}
</ul>
{{- end -}}
{{ end }}
</main>
{{ end }}

10
themes/notrack/layouts/_default/baseof.html Normal file
View File

@@ -0,0 +1,10 @@
<!DOCTYPE html>
<html>
{{- partial "head.html" . -}}
<body>
{{- partial "header.html" . -}}
<div id="content">
{{- block "main" . }}{{- end }}
</div>
</body>
</html>

52
themes/notrack/layouts/_default/list.html Normal file
View File

@@ -0,0 +1,52 @@
{{ define "main" }}
<main>
<h1 class="page-title">{{ .Title }}</h1>
{{ if default true .Site.Params.showTaxonomyLinks }}
<div class="taxonomy-links">
<ul>
{{- /* code for figuring out where to archives page is, if anywhere */ -}}
{{ $archivesExists := false }}
{{ $archivesPageTitle := "" }}
{{ $archivesPagePermalink := "" }}
{{ range .Site.AllPages }}
{{ if eq .Layout "archives" }}
{{ $archivesExists = true }}
{{ $archivesPagePermalink = .Permalink }}
{{ with .Title }}
{{ $archivesPageTitle = . }}
{{ end }}
{{ end }}
{{ end }}
{{ if $archivesExists }}
<li><a href="{{ $archivesPagePermalink }}">{{ default "Archives" $archivesPageTitle }}</a></li>
{{ end }}
{{ range $taxonomyName, $taxonomy := .Site.Taxonomies }}
{{ if or (in $taxonomyName "categ") (in $taxonomyName "tag") }}
<li><a href="{{ $taxonomyName | absURL }}">{{ $taxonomyName }}</a></li>
{{ end }}
{{ end }}
</ul>
</div>
{{ end }}
{{- if .Pages -}}
{{- $pages := (where .Pages ".Draft" false) -}}
{{- /* Use site config params for posts per page if available, otherwise default */ -}}
{{- with .Site.Params.list.paginate | default .Site.Params.paginate -}}
{{- $pages = $.Paginate $pages . -}}
{{- else -}}
{{- $pages = .Paginate $pages -}}
{{- end -}}
{{- range $pages.Pages -}}
{{ partial "blog-entry-summary.html" . }}
{{- end -}}
{{ partial "pagination.html" . }}
{{- end -}}
</main>
{{ end }}

48
themes/notrack/layouts/_default/rss.xml Normal file
View File

@@ -0,0 +1,48 @@
{{- printf "<?xml version=\"1.0\" encoding=\"utf-8\" standalone=\"yes\"?>" | safeHTML }}
<rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom">
<channel>
<title>{{ with .Site.Title }}{{.}}{{ end }}</title>
<link>{{ .Permalink }}</link>
<description>Latest blog posts from {{ .Site.Title }}</description>
{{ with .Site.LanguageCode }}
<language>{{.}}</language>
{{end}}
{{ with .Site.Author.email }}
<managingEditor>{{.}}
{{ with $.Site.Author.name }} ({{.}}){{end}}
</managingEditor>
{{end}}
{{ with .Site.Author.email }}
<webMaster>{{.}}{{ with $.Site.Author.name }} ({{.}}){{end}}
</webMaster>
{{end}}
{{ with .Site.Copyright }}
<copyright>{{.}}</copyright>
{{end}}
{{ if not .Date.IsZero }}
<lastBuildDate>{{ .Date.Format "Mon, 02 Jan 2006 15:04:05 -0700" | safeHTML }}</lastBuildDate>
{{ end }}
{{ with .OutputFormats.Get "RSS" }}
{{ printf "<atom:link href=%q rel=\"self\" type=%q />" .Permalink .MediaType | safeHTML }}
{{ end }}
{{ with (where site.RegularPages "Type" "in" site.Params.mainSections) }}
{{ range . }}
<item>
<title>{{ .Title }}</title>
<link>{{ .Permalink }}</link>
<pubDate>{{ .Date.Format "Mon, 02 Jan 2006 15:04:05 -0700" | safeHTML }}</pubDate>
{{ with .Site.Author.email }}<author>{{.}}{{ with $.Site.Author.name }} ({{.}}){{end}}</author>{{end}}
<guid>{{ .Permalink }}</guid>
<description>{{ .Summary | markdownify }}</description>
</item>
{{ end }}
{{ end }}
</channel>
</rss>

24
themes/notrack/layouts/_default/single.html Normal file
View File

@@ -0,0 +1,24 @@
{{ define "main" }}
<main>
<article>
{{ if in site.Params.mainSections .Page.Section }}
<h1 class="page-title blog">{{ .Title }}</h1>
{{ else }}
<h1 class="page-title">{{ .Title }}</h1>
{{ end }}
{{- /* Show post information if it's a post, otherwise just the content */ -}}
{{ if in site.Params.mainSections .Page.Section }}
<p class="blog-post-info">Posted: <time>{{ .Date.Format "2006-01-02" }}</time>
{{ partial "blog-taxonomy-info" . }}</p>
<div class="blog-post-content">
{{ .Content }}
</div>
{{ template "_internal/disqus.html" . }}
{{ else }}
{{ .Content }}
{{ end }}
</article>
</main>
{{ end }}

41
themes/notrack/layouts/home.html Normal file
View File

@@ -0,0 +1,41 @@
{{ define "main" }}
<main>
{{ $contentExists := gt (len .Content) 0 }}
{{ $blogPages := where .Site.RegularPages.ByDate.Reverse ".Type" "in" .Site.Params.mainSections }}
{{ $blogPages = where $blogPages ".Params.draft" "!=" true }}
{{ $showLatest := and (default true site.Params.showBlogLatest) $blogPages }}
{{ $headlessExists := false }}
{{ if $contentExists }}
{{ .Content }}
{{ else }}
{{ with .Site.GetPage "/homepage" }}
{{ $headlessExists = true }}
<div class="headless-homepage">
{{ range .Resources }}
<h2>
{{ .Title }}
</h2>
<p>{{ .Content }}</p>
{{ end }}
</div>
{{ end }}
{{ end }}
{{ if and (or $headlessExists $contentExists) $showLatest }}
<p class="delimiter">&diams; &diams; &diams;</p>
{{ $blogLatest := default "Latest Blog Posts" site.Params.blogLatestHeading }}
<h2 id="latest-blog-home">{{- $blogLatest -}}</h2>
{{ end }}
{{ if $showLatest }}
{{ with $blogPages }}
{{ range first (default 3 site.Params.nBlogLatest) . }}
{{- partial "blog-entry-summary" . -}}
{{ end }}
{{ end }}
{{ end }}
</main>
{{ end }}

10
themes/notrack/layouts/partials/blog-entry-summary.html Normal file
View File

@@ -0,0 +1,10 @@
<article class="blog-post-summary">
<h3 class="blog-post-title"><a href="{{ .Permalink }}">{{.Title}}</a></h3>
<p class="blog-post-info">Posted: <time>{{ .Date.Format "2006-01-02"}}</time>
{{ partial "blog-taxonomy-info" . }}</p>
<p>
{{- .Summary -}}
<span> <a href="{{ .Permalink }}">Read more...</a></span>
</p>
</article>

17
themes/notrack/layouts/partials/blog-taxonomy-info.html Normal file
View File

@@ -0,0 +1,17 @@
{{ with .Params.Categories }}
<span class="blog-taxonomy-info"> &nbsp; | &nbsp; Categories:
{{ $sort := sort . }}
{{ $links := apply $sort "partial" "post-category-link" "." }}
{{ $clean := apply $links "chomp" "." }}
{{ delimit $clean ", " }}
</span>
{{ end }}
{{ with .Params.Tags }}
<span class="blog-taxonomy-info"> &nbsp; | &nbsp; Tags:
{{ $sort := sort . }}
{{ $links := apply $sort "partial" "post-tag-link" "." }}
{{ $clean := apply $links "chomp" "." }}
{{ delimit $clean ", " }}
</span>
{{ end }}

2
themes/notrack/layouts/partials/footer.html Normal file
View File

@@ -0,0 +1,2 @@
</body>
</html>

17
themes/notrack/layouts/partials/head.html Normal file
View File

@@ -0,0 +1,17 @@
<head>
<title>{{ .Site.Title }} {{ with .Title }}- {{ . }} {{ end }}</title>
<link rel="stylesheet" type="text/css" href="{{ "css/fonts.css" | absURL }}">
<link rel="stylesheet" type="text/css" href="{{ "css/fontawesome.css" | absURL }}">
<link rel="stylesheet" type="text/css" href="{{ "css/styles.css" | absURL }}">
{{ with resources.Get "css/userstyles.css" }}
<link rel="stylesheet" type="text/css" href="{{ .Permalink }}">
{{ end }}
<link rel="icon" href={{ "img/icon.png" | absURL }}>
<meta charset="UTF-8">
<meta name="author" content="{{ .Site.Params.Author }}">
<meta name="viewport" content="width=device-width, initial-scale=1.0">
{{ range .AlternativeOutputFormats -}}
{{ printf `<link rel="%s" type="%s" href="%s" title="%s" />` .Rel .MediaType.Type .Permalink $.Site.Title | safeHTML }}
{{ end -}}
</head>

70
themes/notrack/layouts/partials/header.html Normal file
View File

@@ -0,0 +1,70 @@
<header class="page-header">
<div class="myname">
<h2><a href="{{ default .Site.Home .Site.BaseURL }}">{{ default .Site.Params.Author .Site.Params.siteHeading }}</a></h2>
</div>
<nav>
<ul class="navbar">
{{- /* info about current page */ -}}
{{- $currentPage := . -}}
{{- $currentPagesParent := $currentPage.Parent -}}
{{- $currentPageInTags := eq $currentPage.Section "tags" -}}
{{- $currentPageInCategories := eq $currentPage.Section "categories" -}}
{{- $currentPageNotHome := ne $currentPage.IsHome true -}}
{{- range .Site.Menus.main -}}
{{- if .HasChildren -}}
{{- /* info about current menu */ -}}
{{- $currentMenusPage := .Page -}}
{{- $currentMenuHasTags := false -}}
{{- $currentMenuHasCategories := false -}}
{{- range .Children -}}
{{- $childMenuSection := .Page.Section -}}
{{- if eq $childMenuSection "categories" -}}{{- $currentMenuHasCategories = true -}}{{- end -}}
{{- if eq $childMenuSection "tags" -}}{{- $currentMenuHasTags = true -}}{{- end -}}
{{- end -}}
{{- /* comparison of current menu and current page */ -}}
{{- $active := eq $currentMenusPage $currentPagesParent -}}
{{- $active = and $active $currentPageNotHome -}}
{{- $active = or $active (and $currentMenuHasTags $currentPageInTags) -}}
{{- $active = or $active (and $currentMenuHasCategories $currentPageInCategories) }}
<li class="dropdown {{ if or $active ($currentPage.IsMenuCurrent "main" . ) ($currentPage.HasMenuCurrent "main" .)}}activetab{{ end }}">
<a href ="{{ .URL }}">
{{- .Pre }}
<span>{{ .Name }}</span>
</a>
<div class=sub-menu>
{{- range .Children }}
{{- $currentMenuSection := .Page.Section }}
{{- $active := and $currentPageInTags (eq $currentMenuSection "tags") }}
{{- $active = or $active (and $currentPageInCategories (eq $currentMenuSection "categories") ) }}
{{- $active = or $active ($currentPage.IsMenuCurrent "main" . ) }}
<a class="{{- if $active -}}activetab{{- end -}}" href="{{- .URL -}}">{{ .Name }}</a>
{{- end }}
</div>
</li>
{{- else -}}
{{- $currentMenusPage := .Page }}
{{- $currentMenuInMainSections := false }}
{{- with $currentMenusPage }}
{{- $currentMenuInMainSections = in site.Params.mainSections .Type }}
{{- end }}
{{- $active := eq $currentMenusPage $currentPagesParent }}
{{- $active = and $active (eq $currentPage.RelPermalink .URL ) }}
{{- $active = or $active (eq $currentPage.Title .Name ) }}
{{- $active = or $active ($currentPage.IsMenuCurrent "main" . ) }}
<li class="{{- if $active -}} activetab {{- end -}}">
<a href="{{ .URL }}">
{{- .Pre }}
<span>{{ .Name }}</span>
</a>
</li>
{{- end }}
{{- end }}
</ul>
</nav>
</header>

43
themes/notrack/layouts/partials/pagination.html Normal file
View File

@@ -0,0 +1,43 @@
{{ $pag := $.Paginator }}
{{ if gt $pag.TotalPages 1 }}
<ul class="pagination">
{{ with $pag.First }}
<li class="page-item">
<a href="{{ .URL }}" class="page-link" aria-label="First"><span
aria-hidden="true">&laquo;</span></a>
</li>
{{ end }}
<li class="page-item{{ if not $pag.HasPrev }} disabled{{ end }}">
<a {{ if $pag.HasPrev }}href="{{ $pag.Prev.URL }}"{{ end }}
class="page-link" aria-label="Previous"><span aria-hidden="true">&lsaquo;</span></a>
</li>
{{ $ellipsed := false }}
{{ $shouldEllipse := false }}
{{ range $pag.Pagers }}
{{ $right := sub .TotalPages .PageNumber }}
{{ $showNumber := or (le .PageNumber 3) (eq $right 0) }}
{{ $showNumber := or $showNumber (and (gt .PageNumber (sub $pag.PageNumber 2)) (lt .PageNumber (add $pag.PageNumber 2))) }}
{{ if $showNumber }}
{{ $ellipsed = false }}
{{ $shouldEllipse = false }}
{{ else }}
{{ $shouldEllipse = not $ellipsed }}
{{ $ellipsed = true }}
{{ end }}
{{ if $showNumber }}
<li class="page-item{{ if eq . $pag }} active{{ end }}"><a class="page-link" href="{{ .URL }}">{{ .PageNumber }}</a></li>
{{ else if $shouldEllipse }}
<li class="page-item disabled"><span aria-hidden="true">&nbsp;&hellip;&nbsp;</span></li>
{{ end }}
{{ end }}
<li class="page-item{{ if not $pag.HasNext }} disabled{{ end }}">
<a {{ if $pag.HasNext }}href="{{ $pag.Next.URL }}"{{ end }}
class="page-link" aria-label="Next"><span aria-hidden="true">&rsaquo;</span></a>
</li>
{{ with $pag.Last }}
<li class="page-item">
<a href="{{ .URL }}" class="page-link" aria-label="Last"><span aria-hidden="true">&raquo;</span></a>
</li>
{{ end }}
</ul>
{{ end }}

1
themes/notrack/layouts/partials/post-category-link.html Normal file
View File

@@ -0,0 +1 @@
<a class="blog-taxonomy-info" href="/categories/{{ . | urlize }}">{{ . }}</a>

1
themes/notrack/layouts/partials/post-tag-link.html Normal file
View File

@@ -0,0 +1 @@
<a class="blog-taxonomy-info" href="/tags/{{ . | urlize }}">{{ . }}</a>

25
themes/notrack/layouts/shortcodes/contact-box.html Normal file
View File

@@ -0,0 +1,25 @@
{{ with $.Page.Site.Params.social }}
{{ $socialMap := $.Page.Site.Data.notrack.social }}
{{ $width := default "12em" (.Get "width") }}
{{ $height := default "auto" (.Get "height") }}
{{ $float := default "right" (.Get "float") }}
<div class="contactbox {{ $float }}" style="width: {{ $width }}; height: {{ $height }}">
<ul>
{{- $socialArray := slice -}}
{{ range $website, $user := $.Site.Params.social }}
{{- $social := $website | lower | index $socialMap | default dict -}}
{{- $social := dict "user" $user | merge $social -}}
{{- $socialArray = $socialArray | append $social -}}
{{ end }}
{{ range sort $socialArray "weight" -}}
{{- if .prefix -}}
<li><a href="{{- .prefix -}}{{ .user }}"><i class="{{- .icon.class -}}"></i>{{ .title }}</a></li>
{{- else if .template -}}
<li><a href="{{- printf .template .user -}}"><i class="{{- .icon.class -}}"></i>{{ .title }}</a></li>
{{- end -}}
{{- end -}}
</ul>
{{ printf "<!-- Icons are from Awesome Font, licenced under SIL OFL 1.1 (https://scripts.sil.org/OFL) -->" | safeHTML }}
</div>
{{ end }}

3
themes/notrack/layouts/shortcodes/container.html Normal file
View File

@@ -0,0 +1,3 @@
<div class="{{ default "resume-content" (.Get "class") }}">
{{ .Inner }}
</div>

4
themes/notrack/layouts/shortcodes/gallery-category.html Normal file
View File

@@ -0,0 +1,4 @@
<ul class="gallery-category">
{{ .Inner }}
<li class="gallery-photo"></li>
</ul>

8
themes/notrack/layouts/shortcodes/gallery-modal.html Normal file
View File

@@ -0,0 +1,8 @@
<!-- Modal for gallery images -->
<div id="myModal" class="modal">
<span class="close">&times;</span>
<img class="modal-content" id="modal-img">
<div id="caption"></div>
<div id="loader"></div>
</div>

4
themes/notrack/layouts/shortcodes/gallery-photo.html Normal file
View File

@@ -0,0 +1,4 @@
<li class="gallery-photo">
<img src="{{ ( printf "img/thumbnails/%s" (.Get "fn")) | absURL }}" }}
alt="{{ .Get "caption" }}">
</li>

1
themes/notrack/layouts/shortcodes/gallery-script.html Normal file
View File

@@ -0,0 +1 @@
<script src="/js/gallery.js"></script>

32
themes/notrack/layouts/shortcodes/image.html Normal file
View File

@@ -0,0 +1,32 @@
<figure class="image-shortcode{{ with .Get "class" }} {{ . }}{{ end }}
{{- with .Get "wide" }}{{- if eq . "true" }} wide{{ end -}}{{ end -}}
{{- with .Get "frame" }}{{- if eq . "true" }} frame{{ end -}}{{ end -}}
{{- with .Get "float" }} {{ . }}{{ end -}}"
style="
{{- with .Get "width" }}width: {{ . }};{{ end -}}
{{- with .Get "height" }}height: {{ . }};{{ end -}}">
{{- if .Get "link" -}}
<a href="{{ .Get "link" }}"{{ with .Get "target" }} target="{{ . }}"{{ end }}{{ with .Get "rel" }} rel="{{ . }}"{{ end }}>
{{- end }}
<img src="{{ .Get "src" | absURL }}"
{{- if or (.Get "alt") (.Get "caption") }}
alt="{{ with .Get "alt" }}{{ . }}{{ else }}{{ .Get "caption" | markdownify| plainify }}{{ end }}"
{{- end -}}
/> <!-- Closing img tag -->
{{- if .Get "link" }}</a>{{ end -}}
{{- if or (or (.Get "title") (.Get "caption")) (.Get "attr") -}}
<figcaption>
{{ with (.Get "title") -}}
<h4>{{ . }}</h4>
{{- end -}}
{{- if or (.Get "caption") (.Get "attr") -}}<p>
{{- .Get "caption" | markdownify -}}
{{- with .Get "attrlink" }}
<a href="{{ . }}">
{{- end -}}
{{- .Get "attr" | markdownify -}}
{{- if .Get "attrlink" }}</a>{{ end }}</p>
{{- end }}
</figcaption>
{{- end }}
</figure>

1
themes/notrack/layouts/shortcodes/rawhtml.html Normal file
View File

@@ -0,0 +1 @@
{{ .Inner }}

1
themes/notrack/layouts/shortcodes/resume-category.html Normal file
View File

@@ -0,0 +1 @@
<p class="resume-subcategory">{{ .Get "title" }}</p>

31
themes/notrack/layouts/shortcodes/resume-entry.html Normal file
View File

@@ -0,0 +1,31 @@
<div class="resume-entry">
<!-- What the resume entry is about (degree program, work, etc.) -->
{{ with .Get "what" }}
<p class="what">{{ . }}</p>
{{ end }}
{{ $where := false }}
{{ $when := false }}
{{/* Where was the thing you did? (e.g. Mozilla) */}}
{{ with .Get "where" }}{{ $where = . }}{{ end }}
{{/* When did you do it? (e.g. 2020) */}}
{{- with .Get "when" }}{{ $when = . }}{{ end }}
{{ if and $where $when }}
<p class="resume-entry-data"><span class="where">{{ $where }}</span> |
<span class="when">{{ $when }}</span></p>
{{ else if $where }}
<p class="resume-entry-data"><span class="where">{{ $where }}</span></p>
{{ else if $when }}
<p class="resume-entry-data"><span class="when">{{ $when }}</span></p>
{{ end }}
{{/* additional HTML under or as the entry */}}
{{ if gt (len .Inner) 0 }}
<div class="resume-inner">
{{ .Inner }}
</div>
{{ end }}
</div>

6
themes/notrack/layouts/shortcodes/resume-section.html Normal file
View File

@@ -0,0 +1,6 @@
<div class="category-title">
<h4>{{ .Get "title" }}</h4>
</div>
<div class="category-content">
{{ .Inner }}
</div>

26
themes/notrack/layouts/shortcodes/social.html Normal file
View File

@@ -0,0 +1,26 @@
{{ $socialMap := .Site.Data.notrack.social }}
{{ with $.Site.Params.social }}
<div class="social">
<ul>
{{- $socialArray := slice -}}
{{ range $website, $user := $.Site.Params.social }}
{{- $social := $website | lower | index $socialMap | default dict -}}
{{- $social := dict "user" $user | merge $social -}}
{{- $data := index $socialMap $website -}}
{{- $socialArray = $socialArray | append $social -}}
{{ end }}
{{ range sort $socialArray "weight" -}}
{{- if .prefix -}}
<li><a href="{{- .prefix -}}{{ .user }}"><i class="{{- .icon.class -}}"></i>{{ .title }}</a></li>
{{- else if .template -}}
<li><a href="{{- printf .template .user -}}"><i class="{{- .icon.class -}}"></i>{{ .title }}</a></li>
{{- end -}}
{{- end -}}
</ul>
</div>
{{ end }}
{{ printf "<!-- Icons are from Awesome Font, licenced under SIL OFL 1.1 (https://scripts.sil.org/OFL) -->" | safeHTML }}

5
themes/notrack/layouts/shortcodes/video.html Normal file
View File

@@ -0,0 +1,5 @@
<video class="video-shortcode" preload="{{ .Get "preload" }}" controls>
<source src="{{ .Get "src" }}" type="{{ .Get "type" }}">
There should have been a video here but your browser does not seem
to support it.
</video>

28
themes/notrack/layouts/taxonomy/list.html Normal file
View File

@@ -0,0 +1,28 @@
{{ define "main" }}
<main>
{{- /* Hardcoded values for identifying whether we're looking at a tag or category */ -}}
{{ if or (eq .Data.Plural "categories") (eq .Data.Singular "category") }}
<h1>Category: {{ .Title }}</h1>
{{ else if or (eq .Data.Plural "tags") (eq .Data.Singular "tag") }}
<h1>Tag: {{ .Title }}</h1>
{{ end }}
{{- if .Pages -}}
{{- $pages := (where .Pages ".Draft" false) -}}
{{- with .Site.Params.list.paginate | default .Site.Params.paginate -}}
{{- $pages = $.Paginate $pages . -}}
{{- else -}}
{{- $pages = .Paginate $pages -}}
{{- end -}}
{{- range $pages.Pages -}}
<article class="archive-item">
{{ partial "blog-entry-summary.html" . }}
</article>
{{- end -}}
{{ partial "pagination.html" . }}
{{- end -}}
</main>
{{ end }}

11
themes/notrack/layouts/taxonomy/terms.html Normal file
View File

@@ -0,0 +1,11 @@
{{ define "main" }}
<main>
<h1>All {{ .Title }}</h1>
<ul>
{{ range .Data.Terms.Alphabetical }}
<li><a href="{{ .Page.Permalink }}">{{ .Page.Title }}</a> ({{ .Count }})</li>
{{ end }}
</ul>
</main>
{{ end }}

4522
themes/notrack/static/css/fontawesome.css vendored Normal file
View File

File diff suppressed because it is too large Load Diff

99
themes/notrack/static/css/fonts.css Normal file
View File

@@ -0,0 +1,99 @@
@font-face
{
font-family: FreeSans;
src: url(../fonts/FreeSans-small.woff);
}
@font-face
{
font-family: FreeSans;
src: url(../fonts/FreeSansBoldOblique.woff);
font-weight: bold;
font-style: oblique;
}
@font-face
{
font-family: FreeSans;
src: url(../fonts/FreeSansBold-small.woff);
font-weight: bold;
}
@font-face
{
font-family: FreeSans;
src: url(../fonts/FreeSansOblique.woff);
font-style: oblique;
}
@font-face
{
font-family: FreeSerif;
src: url(../fonts/FreeSerif-small.woff);
}
@font-face
{
font-family: FreeSerif;
src: url(../fonts/FreeSerifItalic-small.woff);
font-style: italic;
}
@font-face
{
font-family: FreeSerif;
src: url(../fonts/FreeSerifBoldItalic-small.woff);
font-style: italic;
font-weight: bold;
}
@font-face
{
font-family: FreeSerif;
src: url(../fonts/FreeSerifBold-small.woff);
font-weight: bold;
}
@font-face
{
font-family: Mononoki;
src: url(../fonts/mononoki-Regular.woff2);
}
/* Copied from Font Awesome and modified for filepath and filetype*/
/*!
* Font Awesome Free 5.13.0 by @fontawesome - https://fontawesome.com
* License - https://fontawesome.com/license/free (Icons: CC BY 4.0, Fonts: SIL OFL 1.1, Code: MIT License)
*/
@font-face
{
font-family: 'Font Awesome 5 Brands';
font-style: normal;
font-weight: 400;
font-display: block;
src: url("../fonts/fa-brands-400.woff2") format("woff2");
}
.fab
{
font-family: 'Font Awesome 5 Brands';
font-weight: 400;
}
/*!
* Font Awesome Free 5.13.0 by @fontawesome - https://fontawesome.com
* License - https://fontawesome.com/license/free (Icons: CC BY 4.0, Fonts: SIL OFL 1.1, Code: MIT License)
*/
@font-face {
font-family: 'Font Awesome 5 Free';
font-style: normal;
font-weight: 900;
font-display: block;
src: url("../fonts/fa-solid-900.woff2") format("woff2");
}
.fa,
.fas {
font-family: 'Font Awesome 5 Free';
font-weight: 900; }

617
themes/notrack/static/css/styles.css Normal file
View File

@@ -0,0 +1,617 @@
@charset "UTF-8";
body {
margin: 0;
overflow-y: scroll;
font-size: 1.21em;
line-height: 1.21;
font-family: FreeSerif, serif; }
@media (min-width: 64em) {
body {
font-size: 1.32em;
line-height: 1.32; } }
@media (min-width: 85.375em) {
body {
font-size: 1.43em; } }
@media (min-width: 120em) {
body {
font-size: 1.54em; } }
@media (min-width: 160em) {
body {
font-size: 1.76em; } }
/*largest screens*/
main {
display: block;
margin: 0;
padding: 1em 1em;
background-color: white; }
@media (min-width: 48em) {
main {
margin: 0 15%; } }
@media (min-width: 64em) {
main {
margin: 0 17%; } }
@media (min-width: 85.375em) {
main {
margin: 0 21%; } }
@media (min-width: 120em) {
main {
margin: 0 24%; } }
@media (min-width: 160em) {
main {
margin: 0 27%; } }
a {
font-family: FreeSerif, serif;
color: #07608f;
text-decoration: none; }
h1, h2, h3, h4, h5, h6 {
font-family: FreeSans, sans-serif;
font-weight: bold;
font-style: normal;
color: #333; }
p, li {
color: #444;
font-family: FreeSerif, serif;
text-align: justify; }
strong {
font-style: normal;
font-family: FreeSerif, serif;
font-weight: bold; }
em {
font-style: normal;
font-family: FreeSerif, serif;
font-style: italic; }
kbd, code {
font-family: Mononoki, monospace;
color: #444;
background-color: #f3f3f3;
font-size: 0.9em; }
pre {
background-color: #f6f8fa;
padding: 0.5em; }
pre code {
background-color: transparent; }
th {
font-family: FreeSerif, serif;
font-weight: bold;
color: #444; }
td {
font-family: FreeSerif, serif;
color: #444; }
.footnotes ol li {
font-family: FreeSerif, serif;
font-size: 0.8em; }
figure.image-shortcode {
margin: 1em auto; }
figure.image-shortcode img {
width: 100%; }
@media (max-width: 28em) {
figure.image-shortcode {
width: 100% !important; } }
figure.wide {
display: flex;
flex-direction: column;
align-items: center; }
figure.wide img {
width: 90vw;
padding-bottom: 0.5em; }
figure.right, .right {
float: right;
margin: 0 0 0.5em 1em; }
@media (max-width: 28em) {
figure.right, .right {
margin-bottom: 1.0em; } }
figure.right:first-child, .right:first-child {
margin-top: 1em; }
figure.left, .left {
float: left;
margin: 0 1em 0.5em 0; }
@media (max-width: 28em) {
figure.left, .left {
margin-bottom: 1.0em; } }
figure.left:first-child, .left:first-child {
margin-top: 1em;
color: blue; }
figure.frame {
background-color: #f7f7f7;
border: 1px solid #bbb;
border-radius: 0.2em;
padding: 0.5em;
box-sizing: border-box; }
figure.frame img {
border: 1px solid #bbb; }
figure.frame figcaption {
border: none; }
figcaption {
font-size: 0.8em;
padding: 0;
width: 100%;
margin: 0 0 0.5em 0;
border-bottom: 1px solid #666674; }
figcaption p {
margin-top: 0em;
color: #666674;
text-align: left; }
figcaption h4 {
margin: 0.3em 0;
color: #444;
text-align: left; }
.page-title {
text-align: center;
font-size: 1.9em; }
.page-title.blog {
text-align: left;
margin-bottom: 0.5em; }
nav {
display: flex;
justify-content: flex-end;
flex-flow: row wrap;
overflow: hidden;
margin: auto 2% .6em auto;
padding-left: 2em; }
nav ul {
list-style-type: none;
margin: 0; }
nav li {
background-color: inherit;
float: left;
cursor: pointer;
padding: 0;
margin: 0;
border-width: 0 0 .3em 0;
border-color: transparent;
border-style: solid;
display: inline-block; }
nav a {
color: #444;
padding: .25em .63em;
font-family: FreeSans, sans-serif;
font-size: 1.2em;
display: block; }
nav li:hover {
border-color: #ddd; }
.dropdown .sub-menu {
display: none;
position: absolute;
background-color: #f9f9f9;
color: #444;
cursor: pointer;
border-width: 0 0 .3em 0;
min-width: 6em;
margin-top: .3em;
box-shadow: 0px 8px 16px 0px rgba(0, 0, 0, 0.2);
z-index: 1; }
.dropdown:hover .sub-menu {
display: block; }
.sub-menu a:hover {
background-color: #474a4f;
color: white; }
.sub-menu a {
display: block;
text-align: left;
padding: .2em .63em;
color: #444; }
.dropdown.activetab, .activetab, li.activetab {
background-color: #474a4f;
border-color: white; }
.activetab > a, a.activetab {
color: white; }
.page-header {
border-bottom: 1px solid black;
text-align: center;
display: flex;
flex-flow: row wrap;
margin: 1em 1em 0 1em; }
.myname {
margin: 0 auto 0 0;
padding: 0 0 .25em .25em;
font-size: 2em; }
.myname a {
color: black;
text-decoration: none;
font-family: FreeSerif, serif;
font-style: italic;
font-weight: bold; }
.myname h2 {
margin: 0; }
.blog-post-summary {
margin: 0; }
@media (min-width: 28em) {
.blog-post-summary {
margin: 2em; } }
#latest-blog-home {
text-align: center;
font-size: 2em; }
.delimiter {
font-size: 2em;
text-align: center; }
.blog-post-title {
margin-bottom: 0.2em;
padding-bottom: 0;
font-size: 1.6em; }
.blog-post-title a {
color: #333;
font-family: FreeSans, sans-serif; }
.blog-post-info {
margin: 0.2em 0;
font-size: 0.8em;
color: #5f5a6f;
margin-left: 1em;
text-align: left; }
.blog-post-info a {
text-transform: capitalize; }
em.taxonomy-emph {
font-family: FreeSans, sans-serif;
font-style: oblique; }
.blog-post-content h1 {
font-size: 1.4em; }
.blog-post-content h2 {
font-size: 1.3em; }
.blog-post-content h3 {
font-size: 1.2em; }
.blog-post-content h4 {
font-size: 1.1em; }
.taxonomy-links ul {
list-style-type: none;
display: flex;
justify-content: center;
margin: 0;
padding: 0;
border-bottom: 2px solid #444; }
.taxonomy-links ul li {
flex-grow: 1;
margin: 1em 0.5em;
width: 100%;
display: flex; }
.taxonomy-links ul li a {
display: inline-block;
background-color: #ddd;
font-size: 1.5em;
text-align: center;
color: #444;
padding: .5em;
flex-grow: 1;
text-transform: capitalize; }
.pagination {
list-style-type: none;
font-family: FreeSans, sans-serif;
display: flex;
justify-content: center;
margin: 1em;
padding: 0; }
.page-item {
color: #444;
display: inline-block;
padding: .2em .6em; }
.page-item a {
color: #444; }
.page-item.active {
background-color: #474a4f; }
.page-item.active a {
background-color: #474a4f;
color: white; }
.resume-content {
display: flex;
flex-flow: row wrap; }
.category-title {
text-align: left;
width: 8em;
padding: .5em;
flex: 1 3 auto; }
.category-title h4 {
margin: 0 0.5em 0 0;
font-size: 1.3em; }
.category-content {
flex: 2 1 65%;
padding: .5em; }
.category-content a {
color: #4c7e99; }
.category-content p {
margin: 0;
font-size: 0.9em;
color: #5f5a6f; }
.category-content ul {
list-style-type: "– "; }
.category-content ul, .category-content ol {
font-family: FreeSans, sans-serif;
margin-top: 0; }
.category-content li {
font-size: 0.9em;
color: #5f5a6f; }
.resume-entry {
margin: 0 0 1em 0; }
.resume-entry .what {
font-family: FreeSans, serif;
text-align: left;
font-size: 1.0em;
color: #444; }
.resume-entry .resume-entry-data {
font-family: FreeSans, serif;
text-align: left;
font-size: 0.8em;
color: #767676;
margin-left: 0.9rem; }
.resume-entry .resume-inner {
line-height: 1;
margin-top: 0.2em;
margin-left: 0.9rem; }
.resume-entry p, .resume-entry ul, .resume-entry ol, .resume-entry li {
font-family: FreeSerif, serif;
color: #5f5a6f;
text-align: left;
font-size: 0.9em; }
p.resume-subcategory {
font-family: FreeSans, sans-serif;
font-size: 1.4em;
text-decoration: underline;
padding: 0 0 .3em 0; }
#contactinformation {
display: flex;
flex-direction: row;
flex-wrap: wrap; }
.social {
display: flex;
justify-content: center; }
.social ul {
list-style-type: none;
display: flex;
justify-content: space-around;
flex-wrap: wrap;
width: 100%;
padding: 0; }
.social ul li {
display: inline-block;
padding: 0.5em; }
.social ul li a {
white-space: nowrap;
color: #3f444d;
font-size: 1em;
font-family: FreeSans, sans-serif; }
.social ul li a i {
font-size: 2em;
vertical-align: middle; }
.contactbox {
padding: 0 1.0em 0 1.0em;
box-sizing: border-box; }
@media (max-width: 28em) {
.contactbox {
width: 100% !important; } }
.contactbox ul {
list-style-type: none;
background-color: #eee;
border-radius: 0.5em;
box-shadow: 0.025em 0.1em 0.2em 0.1em #333;
box-shadow: 0.025em 0.1em 0.2em 0.1em rgba(0, 0, 0, 0.3);
padding: 10%;
margin: auto; }
.contactbox i {
padding-right: 0.3em; }
.contactbox a {
font-family: FreeSans, sans-serif;
font-weight: bold;
font-size: 1em;
color: #524e59;
white-space: nowrap; }
.contactbox img {
height: .7em;
padding-right: .5em;
filter: opacity(80%); }
.p5js {
width: 100%;
border: none;
display: block;
padding: 0;
margin: 0;
overflow-y: none; }
.video-shortcode {
width: 100%;
height: auto;
padding: 1em 0; }
#ethos {
text-align: justify; }
blockquote {
font-family: FreeSerif, serif;
font-size: .9em;
color: #444; }
cite {
font-family: FreeSerif, serif;
font-style: italic; }
#gallery h3 {
font-size: 1.7em; }
.gallery-category {
display: flex;
flex-flow: row wrap;
justify-content: space-between;
list-style-type: none;
padding: 0;
margin: 0; }
.gallery-photo {
flex-grow: 1;
height: 10.5em;
padding: .2em; }
.gallery-photo img {
min-width: 100%;
max-height: 100%;
object-fit: cover;
vertical-align: bottom;
border-radius: .2em; }
.gallery-photo img:hover {
opacity: 0.7;
transition: 0.3s;
cursor: pointer; }
.gallery-photo:last-child {
flex-grow: 10; }
/* The Modal (background) */
.modal {
display: none;
/* Hidden by default */
position: fixed;
/* Stay in place */
z-index: 1;
/* Sit on top */
padding-top: 5vh;
/* Location of the box */
left: 0;
top: 0;
width: 100%;
/* Full width */
height: 100%;
/* Full height */
overflow: auto;
/* Enable scroll if needed */
background-color: black;
/* Fallback color */
background-color: rgba(0, 0, 0, 0.9);
/* Black w/ opacity */ }
/* Modal Content (image) */
.modal-content {
margin: 4vh auto;
padding: 4vh 3%;
display: block;
width: auto;
height: auto;
max-height: 69vh;
max-width: 94%;
pointer-events: none;
user-select: none; }
#loader {
display: none;
position: absolute;
left: 50%;
top: 50%;
z-index: 1;
width: 150px;
height: 150px;
margin: -75px 0 0 -75px;
border: 16px solid #f3f3f3;
border-radius: 50%;
border-top: 16px solid #3498db;
width: 120px;
height: 120px;
-webkit-animation: fadein 1s, spin 2s linear infinite;
animation: fadein 1s, spin 2s linear infinite; }
@keyframes fadein {
from {
opacity: 0; }
to {
opacity: 1; } }
/* Firefox < 16 */
@-moz-keyframes fadein {
from {
opacity: 0; }
to {
opacity: 1; } }
@-webkit-keyframes spin {
0% {
-webkit-transform: rotate(0deg); }
100% {
-webkit-transform: rotate(360deg); } }
@keyframes spin {
0% {
transform: rotate(0deg); }
100% {
transform: rotate(360deg); } }
/* Caption of Modal Image */
#caption {
margin: auto;
display: block;
width: 80%;
max-width: 30em;
text-align: center;
color: #ccc;
padding: 1vh 0;
height: 8vh; }
/* Add Animation */
.modal-content, #caption {
animation-name: zoom;
animation-duration: 0.4s; }
@keyframes zoom {
from {
transform: scale(0.4); }
to {
transform: scale(1); } }
/* The Close Button */
.close {
position: absolute;
top: 2vh;
right: 3vh;
color: #f1f1f1;
font-size: 6vh;
font-weight: bold;
transition: 0.3s; }
.close:hover, .close:focus {
color: #bbb;
text-decoration: none;
cursor: pointer; }

804
themes/notrack/static/css/styles.scss Normal file
View File

@@ -0,0 +1,804 @@
// Colors
$midnight-blue: #07608f;
$midnight-matte: #4c7e99;
$text-color: #444;
$tab-border-color: #ddd;
$tab-active-color: #474a4f;
$heading-gray: #333;
$caption-color: #ccc;
$close-button-gray: #f1f1f1;
$close-hover-gray: #bbb;
$contactlinks-color: #eee;
$contactlinks-text-color: #524e59;
$cv-red: #b25347;
$light-text: #5f5a6f;
$very-light-text: #767676;
$medium-light-text: #4f4a5f;
$code-background: #f3f3f3;
$codeblock-background: #f6f8fa;
$code-text: #f8f8f2;
// Breakpoints
$bp-mini: 28em; // 288px
$bp-small: 48em; // 768px
$bp-medium: 64em; // 1024px
$bp-large: 85.375em; // 1366px
$bp-xlarge: 120em; // 1920px
$bp-xxlarge: 160em; // 2560px
// Media Queries
$mq-mini: "(min-width: #{$bp-mini})";
$mq-mini-reverse: "(max-width: #{$bp-mini})";
$mq-small: "(min-width: #{$bp-small})";
$mq-medium: "(min-width: #{$bp-medium})";
$mq-large: "(min-width: #{$bp-large})";
$mq-xlarge: "(min-width: #{$bp-xlarge})";
$mq-xxlarge: "(min-width: #{$bp-xxlarge})";
$mq-retina: "(-webkit-min-device-pixel-ratio: 2), (min-resolution: 192dpi)";
// Font-Size
$base-font-size: 1.1em;
// Line-Height
$base-line-height: 1.1;
$header-line-height: 1.25;
// HUGO
body {
margin: 0;
overflow-y: scroll;
font-size: $base-font-size * 1.1;
line-height: $base-line-height * 1.1;
font-family: FreeSerif, serif;
@media #{$mq-medium} {
font-size: $base-font-size*1.2;
line-height: $base-line-height*1.2;
}
@media #{$mq-large} {
font-size: $base-font-size*1.3;
}
@media #{$mq-xlarge} {
font-size: $base-font-size*1.4;
}
@media #{$mq-xxlarge} {
font-size: $base-font-size*1.6;
}
}
/*largest screens*/
main {
display: block;
margin: 0;
padding: 1em 1em;
background-color: white;
@media #{$mq-small} {
margin: 0 15%;
}
@media #{$mq-medium} {
margin: 0 17%;
}
@media #{$mq-large} {
margin: 0 21%;
}
@media #{$mq-xlarge} {
margin: 0 24%;
}
@media #{$mq-xxlarge} {
margin: 0 27%;
}
}
a {
font-family: FreeSerif, serif;
color: $midnight-blue;
text-decoration: none;
}
h1, h2, h3, h4, h5, h6 {
font-family: FreeSans, sans-serif;
font-weight: bold;
font-style: normal;
color: $heading-gray;
}
p, li {
color: $text-color;
font-family: FreeSerif, serif;
text-align: justify;
}
strong {
font-style: normal;
font-family: FreeSerif, serif;
font-weight: bold;
}
em {
font-style: normal;
font-family: FreeSerif, serif;
font-style: italic;
}
kbd, code {
font-family: Mononoki, monospace;
color: $text-color;
background-color: $code-background;
font-size: 0.9em;
}
pre {
background-color: $codeblock-background;
padding: 0.5em;
code {
background-color: transparent;
}
}
th {
font-family: FreeSerif, serif;
font-weight: bold;
color: $text-color;
}
td {
font-family: FreeSerif, serif;
color: $text-color;
}
.footnotes ol li {
font-family: FreeSerif, serif;
font-size: 0.8em;
}
figure.image-shortcode {
margin: 1em auto;
img {
width: 100%;
}
@media #{$mq-mini-reverse} {
width: 100% !important;
}
}
figure.wide {
display: flex;
flex-direction: column;
align-items: center;
img {
width: 90vw;
padding-bottom: 0.5em;
}
}
figure.right, .right {
float: right;
margin: 0 0 0.5em 1em;
@media #{$mq-mini-reverse} {
margin-bottom: 1.0em;
}
}
figure.right:first-child, .right:first-child {
margin-top: 1em;
}
figure.left, .left {
float: left;
margin: 0 1em 0.5em 0;
@media #{$mq-mini-reverse} {
margin-bottom: 1.0em;
}
}
figure.left:first-child, .left:first-child {
margin-top: 1em;
color: blue;
}
figure.frame {
background-color: #f7f7f7;
border: 1px solid #bbb;
border-radius: 0.2em;
padding: 0.5em;
box-sizing: border-box;
img { border: 1px solid #bbb; }
figcaption { border: none; }
}
figcaption {
font-size: 0.8em;
padding: 0;
width: 100%;
margin: 0 0 0.5em 0;
border-bottom: 1px solid #666674;
p {
margin-top: 0em;
color: #666674;
text-align: left;
}
h4 {
margin: 0.3em 0;
color: $text-color;
text-align: left;
}
}
.page-title {
text-align: center;
font-size: 1.9em;
}
.page-title.blog {
text-align: left;
margin-bottom: 0.5em;
}
// NAVBAR
nav {
display: flex;
justify-content: flex-end;
flex-flow: row wrap;
overflow: hidden;
margin: auto 2% .6em auto;
padding-left: 2em;
}
nav ul {
list-style-type: none;
margin: 0;
}
nav li {
background-color: inherit;
float: left;
cursor: pointer;
padding: 0;
margin: 0;
border-width: 0 0 .3em 0;
border-color: transparent;
border-style: solid;
display: inline-block;
}
nav a {
color: $text-color;
padding: .25em .63em;
font-family: FreeSans, sans-serif;
font-size: 1.2em;
display: block;
}
nav li:hover {
border-color: $tab-border-color;
}
.dropdown .sub-menu {
display: none;
position: absolute;
background-color: #f9f9f9;
color: $text-color;
cursor: pointer;
border-width: 0 0 .3em 0;
min-width: 6em;
margin-top: .3em;
box-shadow: 0px 8px 16px 0px rgba(0,0,0,0.2);
z-index: 1;
}
.dropdown:hover .sub-menu {
display: block;
}
.sub-menu a:hover {
background-color: $tab-active-color;
color: white;
}
.sub-menu a {
display: block;
text-align: left;
padding: .2em .63em;
color: $text-color;
}
.dropdown.activetab, .activetab, li.activetab {
background-color: $tab-active-color;
border-color: white;
}
.activetab > a, a.activetab {
color: white;
}
.page-header {
border-bottom: 1px solid black;
text-align: center;
display: flex;
flex-flow: row wrap;
margin: 1em 1em 0 1em;
}
.myname {
margin: 0 auto 0 0;
padding: 0 0 .25em .25em;
font-size: 2em;
}
.myname a {
color: black;
text-decoration: none;
font-family: FreeSerif, serif;
font-style: italic;
font-weight: bold;
}
.myname h2 {
margin: 0;
}
// HOME
.blog-post-summary {
margin: 0;
@media #{$mq-mini} {
margin: 2em;
}
}
#latest-blog-home {
text-align: center;
font-size: 2em;
}
.delimiter {
font-size: 2em;
text-align: center;
}
// BLOG
.blog-post-title {
margin-bottom: 0.2em;
padding-bottom: 0;
font-size: 1.6em;
a {
color: $heading-gray;
font-family: FreeSans, sans-serif;
}
}
.blog-post-info {
margin: 0.2em 0;
font-size: 0.8em;
color: $light-text;
margin-left: 1em;
text-align: left;
a { text-transform: capitalize; }
}
em.taxonomy-emph {
font-family: FreeSans, sans-serif;
font-style: oblique;
}
.blog-post-content {
h1 { font-size: 1.4em; }
h2 { font-size: 1.3em; }
h3 { font-size: 1.2em; }
h4 { font-size: 1.1em; }
}
.taxonomy-links ul {
list-style-type: none;
display: flex;
justify-content: center;
margin: 0;
padding: 0;
border-bottom: 2px solid $text-color;
li {
flex-grow: 1;
margin: 1em 0.5em;
width: 100%;
display: flex;
}
li a {
display: inline-block;
background-color: $tab-border-color;
font-size: 1.5em;
text-align: center;
color: $text-color;
padding: .5em;
flex-grow: 1;
text-transform: capitalize;
}
}
.pagination {
list-style-type: none;
font-family: FreeSans, sans-serif;
display: flex;
justify-content: center;
margin: 1em;
padding: 0;
}
.page-item {
color: $text-color;
display: inline-block;
padding: .2em .6em;
a {
color: $text-color;
}
}
.page-item.active {
background-color: $tab-active-color;
a {
background-color: $tab-active-color;
color: white;
}
}
// RESUME
.resume-content {
display: flex;
flex-flow: row wrap;
}
.category-title {
text-align: left;
width: 8em;
padding: .5em;
flex: 1 3 auto;
h4 {
margin: 0 0.5em 0 0;
font-size: 1.3em;
}
}
.category-content {
flex: 2 1 65%;
padding: .5em;
a {
color: $midnight-matte;
}
p {
margin: 0;
font-size: 0.9em;
color: $light-text;
}
ul {
list-style-type: "– ";
}
ul, ol {
font-family: FreeSans, sans-serif;
margin-top: 0;
}
li {
font-size: 0.9em;
color: $light-text;
}
}
.resume-entry {
margin: 0 0 1em 0;
.what {
font-family: FreeSans, serif;
text-align: left;
font-size: 1.0em;
color: $text-color;
}
.resume-entry-data {
font-family: FreeSans, serif;
text-align: left;
font-size: 0.8em;
color: $very-light-text;
margin-left: 0.9rem;
}
.resume-inner {
line-height: 1;
margin-top: 0.2em;
margin-left: 0.9rem;
}
p, ul, ol, li {
font-family: FreeSerif, serif;
color: $light-text;
text-align: left;
font-size: 0.9em;
}
}
p.resume-subcategory {
font-family: FreeSans, sans-serif;
font-size: 1.4em;
text-decoration: underline;
padding: 0 0 .3em 0;
}
// CONTACT
#contactinformation {
display: flex;
flex-direction: row;
flex-wrap: wrap;
}
.social {
display: flex;
justify-content: center;
ul {
list-style-type: none;
display:flex;
justify-content: space-around;
flex-wrap: wrap;
width: 100%;
padding: 0;
li {
display: inline-block;
padding: 0.5em;
a {
white-space: nowrap;
color: #3f444d;
font-size: 1em;
font-family: FreeSans, sans-serif;
i {
font-size: 2em;
vertical-align: middle;
}
}
}
}
}
.contactbox {
padding: 0 1.0em 0 1.0em;
box-sizing: border-box;
@media #{$mq-mini-reverse} {
width: 100% !important;
}
ul {
list-style-type: none;
background-color: $contactlinks-color;
border-radius: 0.5em;
box-shadow: 0.025em 0.1em 0.2em 0.1em #333;
box-shadow: 0.025em 0.1em 0.2em 0.1em rgba(0, 0, 0, 0.3);
padding: 10%;
margin: auto;
}
i {
padding-right: 0.3em;
}
a {
font-family: FreeSans, sans-serif;
font-weight: bold;
font-size: 1em;
color: $contactlinks-text-color;
white-space: nowrap;
}
img {
height:.7em;
padding-right: .5em;
filter: opacity(80%);
}
}
// Projects tab
.p5js {
width: 100%;
border: none;
display: block;
padding: 0;
margin: 0;
overflow-y: none;
}
.video-shortcode {
width: 100%;
height: auto;
padding: 1em 0;
}
// Ethos tab
#ethos {
text-align: justify;
}
// General
blockquote {
font-family: FreeSerif, serif;
font-size: .9em;
color: $text-color;
}
cite {
font-family: FreeSerif, serif;
font-style: italic;
}
// GALLERY
#gallery h3 { font-size: 1.7em; }
.gallery-category {
display: flex;
flex-flow: row wrap;
justify-content: space-between;
list-style-type: none;
padding: 0;
margin: 0;
}
.gallery-photo {
flex-grow: 1;
height: 10.5em;
padding: .2em;
img {
min-width: 100%;
max-height: 100%;
object-fit: cover;
vertical-align: bottom;
border-radius: .2em;
}
img:hover {
opacity: 0.7;
transition: 0.3s;
cursor: pointer;
}
}
.gallery-photo:last-child { flex-grow: 10; }
/* The Modal (background) */
.modal {
display: none; /* Hidden by default */
position: fixed; /* Stay in place */
z-index: 1; /* Sit on top */
padding-top: 5vh; /* Location of the box */
left: 0;
top: 0;
width: 100%; /* Full width */
height: 100%; /* Full height */
overflow: auto; /* Enable scroll if needed */
background-color: rgb(0,0,0); /* Fallback color */
background-color: rgba(0,0,0,0.9); /* Black w/ opacity */
}
/* Modal Content (image) */
.modal-content {
margin: 4vh auto;
padding: 4vh 3%;
display: block;
width: auto;
height: auto;
max-height: 69vh;
max-width: 94%;
pointer-events: none;
user-select: none;
}
#loader {
display: none;
position: absolute;
left: 50%;
top: 50%;
z-index: 1;
width: 150px;
height: 150px;
margin: -75px 0 0 -75px;
border: 16px solid #f3f3f3;
border-radius: 50%;
border-top: 16px solid #3498db;
width: 120px;
height: 120px;
-webkit-animation: fadein 1s, spin 2s linear infinite;
animation: fadein 1s, spin 2s linear infinite;
}
@keyframes fadein {
from { opacity: 0; }
to { opacity: 1; }
}
/* Firefox < 16 */
@-moz-keyframes fadein {
from { opacity: 0; }
to { opacity: 1; }
}
@-webkit-keyframes spin {
0% { -webkit-transform: rotate(0deg); }
100% { -webkit-transform: rotate(360deg); }
}
@keyframes spin {
0% { transform: rotate(0deg); }
100% { transform: rotate(360deg); }
}
/* Caption of Modal Image */
#caption {
margin: auto;
display: block;
width: 80%;
max-width: 30em;
text-align: center;
color: $caption-color;
padding: 1vh 0;
height: 8vh;
}
/* Add Animation */
.modal-content, #caption {
animation-name: zoom;
animation-duration: 0.4s;
}
@keyframes zoom {
from {transform: scale(0.4)}
to {transform: scale(1)}
}
/* The Close Button */
.close {
position: absolute;
top: 2vh;
right: 3vh;
color: $close-button-gray;
font-size: 6vh;
font-weight: bold;
transition: 0.3s;
}
.close:hover, .close:focus {
color: $close-hover-gray;
text-decoration: none;
cursor: pointer;
}

BIN
themes/notrack/static/fonts/FreeMono.woff Normal file
View File

Binary file not shown.

BIN
themes/notrack/static/fonts/FreeMonoBold.woff Normal file
View File

Binary file not shown.

BIN
themes/notrack/static/fonts/FreeMonoBoldOblique.woff Normal file
View File

Binary file not shown.

BIN
themes/notrack/static/fonts/FreeMonoOblique.woff Normal file
View File

Binary file not shown.

BIN
themes/notrack/static/fonts/FreeSans-small.woff Normal file
View File

Binary file not shown.

Some files were not shown because too many files have changed in this diff Show More